The culmination of a significant multi-media project (Affective Digital Histories: exploring de-industrialised landscapes from the 1970s to the present), Tuesday, 31 March saw the launch of an anthology of the commissioned pieces, Hidden Stories, at the fabulous Phoenix arts centre, in Leicester’s Cultural Quarter – the focus of much of the new writing. I visited it about a year ago to begin my research – and now I was returning as one as the published writers. I felt honoured to have been included in such an excellent collection (which first manifested as the very cool App), to be rubbing shoulders with eight distinctive and accomplished writers. Gathering at the Phoenix on the final day of the project was Divya Ghelani, Carol Leeming, David Devanny, myself, Pete Kalu and Fereshteh Mozaffari, and Mark Goodwin and it was in that order that we performed to a full auditorium of over a 100 people. The evening was introduced by Dr Corinne Fowler, who has led this project alongside Dr Ming Lim – both from the University of Leicester. It has been a team effort from beginning to end, and many talented people have been involved – from my supervisor, Harry Whitehead (who suggested the commissions should be in different forms), special collections librarian Simon Dixon, designers Gino and Matteus, who between them crafted the app and the anthology, Sarah Vallance at the Phoenix, who co-ordinated the launch, and of course all the writers. To hear extracts of six of the commissions reinforced their diversity and excellence. These are really high quality pieces – each flourishing within its own format, whether its flash fiction (Divya’s glittering ‘An Imperial Typewriter’), choreopoem (Carol Leeming’s compassionate soul-song for St George’s (‘Love the Life you Live, Live the Life you Love’), play (Pete Kalu and Fereshteh Mozaffari’s ‘5 Glossop Cats’), or poetry (David Devanny’s ‘Crow Steps in the Quarter’; and Mark Goodwin’s ‘Mist’s Rave’) – the latter crafting it into an immersive soundscape and impressive short film which ended the performances in spectacular fashion. Afterwards there was a chance to schmooze, chat to Radio Leicester, pose for photos, slap backs, sign books, but most of all to celebrate our collective achievement. In a quote for the Leicester Mercury I summed up my feelings: ‘I feel delighted to have been part of such a fantastic project – it has been a real cross-fertilization of art forms and disciplines, with talent from near and far. Such a polyphonic expression of voices sends out a strong message of creative excellence through diversity – more important than ever in these troubled times! Thank you to Corinne, Ming, the staff of the Phoenix, and all involved.’
It is healthful for a community to hear its stories being told, being celebrated. The narratives of the Cultural Quarter and Glossop show the fascinating, life-affirming weaving of multi-cultural and transparadigmic threads which offers a strong message in these challenging times. Britain is what it is because of its rich rainbow heritage, a blending of many voices, many cultures, many colours, faiths and traditions. Our project, offers in its modestly localized (but non-provincial) way, a microcosm of how bold vision, decent funding, inspiration, ingenuity and skill, can create fruitful collaboration. Bravo!
Now Available from http://www.phoenix.org.uk/hidden-stories-book/