Tag Archives: Honeystreet

Laying the Dust

The Cove Avebury

The Cove Avebury

9-15 July

Last Tuesday my German friend O visited (a month before she gets hitched to a fellow storyteller) and we went to Avebury to rendezvous with Z, resident of The Lacket – her family home nearby in a ridiculously picturesque National Trust village. If you can imagine a filmset for a movie about fairies intruding on a quaint English hamlet, this would be how it would look … but it’s for real. A line of thatched cottages surrounded by recumbent sarsen stones, Lockeridge Dene feels as though it straddles the worlds between mortals and the Good Folk. In exchange for giving our hostess some feedback on the incredible story she is writing about her and her famous grandmother, who was married to Scott of the Antarctic, we got to stay the night. We shared stories by the fire in the ‘Little Room’ as the living room is known, the shelves and walls steeped in history (rare volumes; memento mori; old photographs of famous friends and relatives).

The Little Room, at the Lacket

The Little Room, at the Lacket

Sipping sherry left over from her father’s funeral and eating some creamy camembert on home-made rye bread, we talked into the wee small hours. Then I staggered out into the night – and nearly ‘drowned’ in the sea of stars above my head – a spectacular star-field, due to the lack of light pollution (or anything from the 20th or 21st century) around. I stumbled my way to the Roundabout – the cute thatched ‘gnome’ house which was to be my bedroom for the night. I felt very privileged to be staying in such a place. Thank you Zzzzz…

Gnome, sweet, gnome - The Roundabout, my bedroom at the Lacket

Gnome, sweet, gnome – The Roundabout, my bedroom at the Lacket

The Lacket

Stars like sarsens

scattered across the sky’s meadow.

A house heavy with bristly thatch,

eaves, a furrowed brow.

Timbered frame riddled with history,

the ghosts of literati,

dubious diplomats,

the Polar extremes of Scott and Peter Pan

(the explorer’s son named

after their friend Barrie’s creation).

A lost father immortalised in the Neverland of ice,

leaving Wendy to run the house.

The garden, a habitat of Tinkerbells,

hedges good enough for a Woolf to jump in.

A cow-licked meadow

of glacial erratics,

a stone circle workshop,

Avebury in utero.

Here, great dreams and fragile visions are born,

eminent Victorians nurtured,

erudite Edwardians pandered,

visiting diplomats indulged.

Ineluctably, at the Lacket,

magic is forged,

protected in a vale of deep peace,

where time takes a hiatus

(wristwatches stop in the middle of the night,

stuck on the Roundabout of dreams).

A funeral sherry is sipped

in the snug of the Little Room,

beneath the sepia gazes of

the famous and familial.

The timbers, spines of rare books,

stained with the centuries of

mercurial repartee, firefly passion, hearts

breaking like an Antarctic ice-shelf,

minds locked into themselves,

imprisoned in the past,

imaginations roaming free.

 

Kevan Manwaring

July 2013

 

The next day, we went for a walk up Cherhill with Kevin, gurned to the camera in front of the Lansdowne monument and white horse, before ending up at the Black Horse for some quaffing.

Cherhill sunset

Cherhill sunset

The next day I accompanied O to Bath, and met up with my Icelandic friend, Svanur (aka, ‘The Viking’ as we affectionately call him), who was passing through town on his way back to his homeland, where he works as a tour guide. The last time I’d seen him was Easter 2012 in Cornwall, so we had alot of catching up to do – which we did over a few beers. His wife, Suzanne, and friends joined us for a pleasant afternoon sat in the beer garden of the Pig and Fiddle. Skol!

The Viking in Bath!

The Viking in Bath!

On Saturday my friend Robin visited and we walked the Wansdyke – even though we set off at 4pm, the heat was still formidable, and it was hard work to get up onto the ridge. Stretching from Bristol to Marlborough, this ancient earthwork is attributed to the Danes, hence its name, Wansdyke, or ‘Woden’s Ditch’, but it might well pre-date this. The fact it links several significant ancient sites – hill-forts, long barrows, and camps – makes it feel more like a processional route than a defensive structure. This is certainly how it feels, walking along it. I remember once on the way to Tan Hill (its highest point, and site of a famous fair) I found a verse and melody popped into my head, something along the lines of ‘I’m on my way to Tan Hill Fair, I hope to find my true love there.’ It seemed to arise out of the rhythm of my progress along the ancient way – the May trees, in full blossom, enhancing the sense this was the sacred route to the Hill of Bel-Tane. Higher up, there was a trace of pleasant coolness, and the going was far easier – it felt like one was a giant striding over the land; that one could go on for miles. Just as well, as we had several to go to our destination – the Barge Inn, Honeystreet, where there was a summer knees-up – and the shadows were lengthening (‘our shadows taller than our souls’). By the time we dropped down into the Vale of Pewsey and made our way along the tow-path to the pub, the sound of revelry guiding us, it was getting dark. We arrived five and half hours after setting out, having walked around 12-3 miles, with detours (navigational haziness; a Roman road that was now a blocked right of way; a vast field with no way out like the one in Ben Wheatley’s new film ‘A Field in England’). We were in need of sustenance – alas, the kitchen had shut. The slender bar-maid failed to inform me there was a BBQ, so I got us some Ford Prefect peanuts and myself, a pint of ‘Croppie’ (de rigeur in Wiltshire’s legendary crop-circle pub, a favourite watering hole for cerealogists, stranded aliens and yokels). These were consumed with ravenous haste. Then I managed to grab the last veggie-burger (minus a bun) and some cake – thus was our West Country repast for the night. Fortunately, the beer was good and the atmosphere pleasant. We sat and watched the bands for a bit – even vaguely dancing at one point, although the swaying might have been more from exhaustion, and being on the state of collapsed. Replete with the fullness of the day, we staggered off to find a place to wild-camp, which we did, nearby in Alton Barnes, by the squat Saxon church – found at the end of a Corpse-path in the middle of a field. Dog-tired, we didn’t notice any ghosts – only something rustling in the undergrowth and the police helicopter overhead, searching for rogue males, no doubt! Nevertheless, it was a peaceful and pleasant night’s sleep – it was so warm, a mat and sleeping bag was all that was needed. I awoke, hearing the first bird break the dawn – before being joined by the feathered choir for the morning’s chorus.

Robin on Adam's Grave

Robin on Adam’s Grave

We arose and walked up to the ridge, stopping at Adam’s Grave, a long barrow, to enjoy the sublime view – the mist burning off in the Vale below. It was only 7am and we had the whole morning before us, a good feeling – and practical, as we avoided the heat of the day. Following a seldom frequented stretch of the Ridgeway, we reached Avebury from the south in a couple of hours, arriving via the Avenue of menhirs (this was about my fourth time walking up it in a month and it was starting to feel like Groundhog Day). We’d run out of water, so replenished our bottles, and I brewed up by the roadside like a tinker. There were no buses back to Calne, alas – so we grabbed some sarnies from the NT cafe, and hoiked ourselves along the road, thumbing up. Drivers looked at us as though we were escaped criminals. Fortunately, at the Beckhampton roundabout an old hitcher on his way back from a car-boot took mercy and gave us a lift up the road – it wasn’t far (7 miles) but boy, were we grateful: my feet were blistered enough by the time we got back. Limbs scratched and dripping sweat, this bardic bod was in a sorry state – but I felt exhilarated too. Our footloose foray had been a success. We freshened up and had some lunch – again, the simplest food can be so satisfying when you have a proper appetite (and not just eating out of habit). I got changed and ready for a tour I was due to lead in Bath – no rest for the bardic! I gave Robin a lift to Chippenham station, then blatted it over to Aquae Sulis, where I met up with a couple of Americans from Maryland, on a whistle-stop tour of English culture spots (Winchester, Stonehenge, Avebury…). Despite being wiped out by my Wansdyke walk and the heat, I think I acquitted myself well. An hour and a half later, I was given a very nice tip and bought a pint of Bell-ringer in the Coer-de-Lion, Bath’s smallest pub – this most certainly needed to lay the dust of the road down, like the pump used to do by the Marden river in Calne. By the time I got back to the Wiltshire town I was not much more than a bardic zombie, shuffling around sore-footed and staring, looking for a take-away.

The following night I went back to Bath for the Storytelling Circle at the Raven, which I used to run. It is now hosted by David Metcalfe, a fellow Fire Spring member. At first, there was only a handful of ‘usual suspects’ there, but it rapidly filled up and there was a good crowd and an entertaining cross-section of offerings. I told the story of The Far-travelled Fiddler from my forth-coming collection of ‘Northamptonshire Folk Tales’ – being published by The History Press – in the week I had received a proof of the gorgeous cover from Katherine Soutar. To see seeds sown in early Spring (when I submitted the manuscript) come to fruition is immensely satisfying, and offers some consolation for my ‘exile’ in one-horse Calne, which the visit of friends and various sortees makes more bearable.

Friends by Cherhill

Friends by Cherhill

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Laying the Dust

The Cove, Avebury

The Cove, Avebury

9-15 July

Last Tuesday my German friend O visited (a month before she gets hitched to a fellow storyteller) and we went to Avebury to rendezvous with Z, resident of The Lacket – her family home nearby in a ridiculously picturesque National Trust village. If you can imagine a filmset for a movie about fairies intruding on a quaint English hamlet, this would be how it would look … but it’s for real. A line of thatched cottages surrounded by recumbent sarsen stones, Lockeridge Dene feels as though it straddles the worlds between mortals and the Good Folk. In exchange for giving our hostess some feedback on the incredible story she is writing about her and her famous grandmother, who was married to Scott of the Antarctic, we got to stay the night. We shared stories by the fire in the ‘Little Room’ as the living room is known, the shelves and walls steeped in history (rare volumes; memento mori; old photographs of famous friends and relatives). Sipping sherry left over from her father’s funeral and eating some creamy camembert on home-made rye bread, we talked into the wee small hours. Then I staggered out into the night – and nearly ‘drowned’ in the sea of stars above my head – a spectacular star-field, due to the lack of light pollution (or anything from the 20th or 21st century) around. I stumbled my way to the Roundabout – the cute thatched ‘gnome’ house which was to be my bedroom for the night. I felt very privileged to be staying in such a place. Thank you Zzzzz…

Image

The Lacket

Stars like sarsens

scattered across the sky’s meadow.

A house heavy with bristly thatch,

eaves, a furrowed brow.

Timbered frame riddled with history,

the ghosts of literati,

dubious diplomats,

the Polar extremes of Scott and Peter Pan

(the explorer’s son named

after their friend Barrie’s creation).

A lost father immortalised in the Neverland of ice,

leaving Wendy to run the house.

The garden, a habitat of Tinkerbells,

hedges good enough for a Woolf to jump in.

A cow-licked meadow

of glacial erratics,

a stone circle workshop,

Avebury in utero.

Here, great dreams and fragile visions are born,

eminent Victorians nurtured,

erudite Edwardians pandered,

visiting diplomats indulged.

Ineluctably, at the Lacket,

magic is forged,

protected in a vale of deep peace,

where time takes a hiatus

(wristwatches stop in the middle of the night,

stuck on the Roundabout of dreams).

A funeral sherry is sipped

in the snug of the Little Room,

beneath the sepia gazes of

the famous and familial.

The timbers, spines of rare books,

stained with the centuries of

mercurial repartee, firefly passion, hearts

breaking like an Antarctic ice-shelf,

minds locked into themselves,

imprisoned in the past.

Kevan Manwaring

July 2013

The next day, we went for a walk up Cherhill with Kevin, gurned to the camera in front of the Lansdowne monument and white horse, before ending up at the Black Horse for some quaffing.

Image

The following morning I went to Bath with O and met up with an Icelandic friend I hadn’t seen for yonks (Easter 2012). Over a few beers in the Pig and Fiddle we caught up. Svanur, aka ‘the Viking’ as we call him, is a tour guide in Iceland and was on his way back home. Skol!

Image

On Saturday my friend Robin visited and we walked the Wansdyke – even though we set off at 4pm, the heat was still formidable, and it was hard work to get up onto the ridge. Stretching from Bristol to Marlborough, this ancient earthwork is attributed to the Danes, hence its name, Wansdyke, or ‘Woden’s Ditch’, but it might well pre-date this. The fact it links several significant ancient sites – hill-forts, long barrows, and camps – makes it feel more like a processional route than a defensive structure. This is certainly how it feels, walking along it. I remember once on the way to Tan Hill (its highest point, and site of a famous fair) I found a verse and melody popped into my head, something along the lines of ‘I’m on my way to Tan Hill Fair, I hope to find my true love there.’ It seemed to arise out of the rhythm of my progress along the ancient way – the May trees, in full blossom, enhancing the sense this was the sacred route to the Hill of Bel-Tane. Higher up, there was a trace of pleasant coolness, and the going was far easier – it felt like one was a giant striding over the land; that one could go on for miles. Just as well, as we had several to go to our destination – the Barge Inn, Honeystreet, where there was a summer knees-up – and the shadows were lengthening (‘our shadows taller than our souls’). By the time we dropped down into the Vale of Pewsey and made our way along the tow-path to the pub, the sound of revelry guiding us, it was getting dark. We arrived five and half hours after setting out, having walked around 12-3 miles, with detours (navigational haziness; a Roman road that was now a blocked right of way; a vast field with no way out like the one in Ben Wheatley’s new film ‘A Field in England’). We were in need of sustenance – alas, the kitchen had shut. The slender bar-maid failed to inform me there was a BBQ, so I got us some Ford Prefect peanuts and myself, a pint of ‘Croppie’ (de rigeur in Wiltshire’s legendary crop-circle pub, a favourite watering hole for cerealogists, stranded aliens and yokels). These were consumed with ravenous haste. Then I managed to grab the last veggie-burger (minus a bun) and some cake – thus was our West Country repast for the night. Fortunately, the beer was good and the atmosphere pleasant. We sat and watched the bands for a bit – even vaguely dancing at one point, although the swaying might have been more from exhaustion, and being on the state of collapsed. Replete with the fullness of the day, we staggered off to find a place to wild-camp, which we did, nearby in Alton Barnes, by the squat Saxon church – found at the end of a Corpse-path in the middle of a field. Dog-tired, we didn’t notice any ghosts – only something rustling in the undergrowth and the police helicopter overhead, searching for rogue males, no doubt! Nevertheless, it was a peaceful and pleasant night’s sleep – it was so warm, a mat and sleeping bag was all that was needed. I awoke, hearing the first bird break the dawn – before being joined by the feathered choir for the morning’s chorus.

Image

We arose and walked up to the ridge, stopping at Adam’s Grave, a long barrow, to enjoy the sublime view – the mist burning off in the Vale below. It was only 7am and we had the whole morning before us, a good feeling – and practical, as we avoided the heat of the day. Following a seldom frequented stretch of the Ridgeway, we reached Avebury from the south in a couple of hours, arriving via the Avenue of menhirs (this was about my fourth time walking up it in a month and it was starting to feel like Groundhog Day). We’d run out of water, so replenished our bottles, and I brewed up by the roadside like a tinker. There were no buses back to Calne, alas – so we grabbed some sarnies from the NT cafe, and hoiked ourselves along the road, thumbing up. Drivers looked at us as though we were escaped criminals. Fortunately, at the Beckhampton roundabout an old hitcher on his way back from a car-boot took mercy and gave us a lift up the road – it wasn’t far (7 miles) but boy, were we grateful: my feet were blistered enough by the time we got back. Limbs scratched and dripping sweat, this bardic bod was in a sorry state – but I felt exhilarated too. Our footloose foray had been a success. We freshened up and had some lunch – again, the simplest food can be so satisfying when you have a proper appetite (and not just eating out of habit). I got changed and ready for a tour I was due to lead in Bath – no rest for the bardic! I gave Robin a lift to Chippenham station, then blatted it over to Aquae Sulis, where I met up with a couple of Americans from Maryland, on a whistle-stop tour of English culture spots (Winchester, Stonehenge, Avebury…). Despite being wiped out by my Wansdyke walk and the heat, I think I acquitted myself well. An hour and a half later, I was given a very nice tip and bought a pint of Bell-ringer in the Coer-de-Lion, Bath’s smallest pub – this most certainly needed to lay the dust of the road down, like the pump used to do by the Marden river in Calne. By the time I got back to the Wiltshire town I was not much more than a bardic zombie, shuffling around sore-footed and staring, looking for a take-away.

The following night I went back to Bath for the Storytelling Circle at the Raven, which I used to run. It is now hosted by David Metcalfe, a fellow Fire Spring member. At first, there was only a handful of ‘usual suspects’ there, but it rapidly filled up and there was a good crowd and an entertaining cross-section of offerings. I told the story of The Far-travelled Fiddler from my forth-coming collection of ‘Northamptonshire Folk Tales’ – being published by The History Press – in the week I had received a proof of the gorgeous cover from Katherine Soutar. To see seeds sown in early Spring (when I submitted the manuscript) come to fruition is immensely satisfying, and offers some consolation for my ‘exile’ in one-horse Calne, which the visit of friends and various sortees makes more bearable.

Image

Midsummer Magic

Pipers at the Gates of Dawn

`O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.’  The Wind in the Willows, Kenneth Grahame

24-27 June

The Gates of Dawn by Herbert Draper


 

 

We have been blessed with magnificent weather the last few days – the sun has well and truly had his hat on. When the sun doth shine, the English summer is a glorious thing and I would not want to be anywhere else on Earth. Shaman-poet of The Doors, Jim Morrison once said ‘No eternal reward shall forgive us now for wasting the dawn,’ and having missed the solstice sunrise I thought I’d better make an effort to see it while it was at the same place (over the solstice period the sunrise & sunset stays at the same time for 3-4 days: 4.44am & 9.22pm in England), so on Midsummer morning I awoke before dawn and, after listening to the exquisite pre-dawn chorus over a cuppa in my back garden, I headed up the hill to Bathampton Down (home of an Iron Age tribe – who sculpted it into earthworks and field systems; an effigy of the triple-aspect goddess was discovered dating from that period in the road above mine). I made a bee-line for Sham Castle, a local folly which I thought would be the perfect place to greet the midsummer sun. While I waited in the brightening light I made some notes and had a flash of inspiration for a story, which I wrote up later that day (‘The King of the Sun and the Queen of the Moon’). Although the sun decided not to make a dramatic debut that morning you could still feel the quickening of nature – the surge of energy rippling across the land like a tidal bore. On this wave of solar power – the ‘high tide’ of the year – I launched my latest book the next day…

Launching The Way of Awen - Chapel Arts Centre, Bath, June 25th

The 25th June was the official launch date of The Way of Awen: journey of a bard, and I planned to do something to ‘wet the baby’s head’ in Bath – when I discovered that penbeirdd Robin Williamson was playing at Chapel Arts Centre on the same night (an event I did not want to miss) I decided to find a way of bringing the events together, so I booked the Live Arts Cafe downstairs for 6-8pm (with the help of my friend, Svanur, centre manager) leaving time to see Robin’s show after – and it all worked beautifully. Robin had generously contributed to The Bardic Handbook – which came out four years ago – and so it seemed apt to combine the events. He was most accommodating about it, and popped down at the start, after I had given him a hand bringing in his instruments. To have him there was such an honour, as he’s been such an inspiration – so to Greywolf, aka Philip Shallcrass (late of the British Druid Order), who was one of the key people to introduce me to the concept of Awen in the mid-Nineties. I was delighted when he turned up with his friend Eva and his son Joe.  I thanked both these awesome bard-druids at the start of my talk – presenting them each with a copy – before reading extracts from the book. There was a good crowd – including Franklin, the Bard of Basswood all the way from Buffalo, USA – who seemed to respond well to what I shared. The mead flowed and the atmosphere was pleasant – helped enormously by the graceful solutions of Saravian, who kindly created a lovely ambience at the start, with candles, incense and her beautiful music. I couldn’t have done it without her.

Saravian gets the awen flowing at my book launch

In many ways it felt like a very successful launch – it’s important to honour achievement of any kind, to mark the completion of a project, the manifestation of vision, craft, co-operation and sheer hard work. Afterwards, we decamped upstairs to enjoy a fabulous concert from Robin Williamson – probably the best I’ve seen him do. He did some amazing Celtic tunes on his harp, weaving stories, jokes, anecdotes and songs seamlessly together. He did a fantastic cover of Dylan’s ‘No Direction Home’; some of The Beatles ‘Within, Without You’; a slow, beautiful version of ‘The Irish Rover’; and even a blues number – on the harp! It was a pleasure to hear a couple of his new songs, and some from his back catalogue (eg the ever poignant ‘Political Lies’), a deeply touching one about his son, Gavin, as well as one from his time in California in the Sixties. He did a couple of classic British ballads, ‘The Death of Robin Hood’ and ‘Lord Barnard’ – overall, an impressive set showing his incredible range. One could really appreciate the fact this was a man who has been performing as long as I’ve been alive – his technical virtuosity and repertoire is awesome. He truly is Britain’s greatest living bard. To enjoy such a concert after my book launch really was the icing on the cake – when one works on such a big project like my book (really 20 years in the making, as it draws upon journals and notebooks from that period), organise the launch, entertain everyone, play the host, give a reading, etc, one can feel depleted – but a concert like Robin’s really replenishes the well.

chatting with Robin Williamson after my launch/his concert - Chapel Arts Centre, Bath, June 25th

The next day I had to get up early and get my act together for a creative writing dayschool in the lovely Wiltshire town of Devizes, followed by a camping trip with friends. The plan was to rendezvous at the Barge, Honeystreet, but when I rolled up there on the Triumph Legend I found it to be completely jammed with revellers, there for the bicenternary bash – a mini music festival. You couldn’t swing a cat, let along pitch three tents and park three vehicles. I looked around for my friends amid the merry but mellow crowds, to no avail. I procured a pint of Croppie – brewed by the Barge – in my pewter tankard and supped it on the canal bank, cooling off after a hot day’s work and riding. After trying to contact my friends I discovered a text explaining the change of plans – they had found a campsite in Bishop Cannings – and so I togged up again, into my sweaty leathers, and set off down the backlanes.

Daw, Helen and Daryl at Bishop Cannings camp

To my relief I found my friends, pitched up in a quiet campsite. I was offered a cold beer – things were looking up. I finally managed to pitch my tent, somewhat hampered by the ale. The campsite – little more than a lawn – could hardly have been more different than the chaos at the Barge. Yet later, after a meal, my poet friend Jay arrived and drove us over to soak up some of the Bacchanlian vibes. A band called The Hub was on – young, loud and belting out various covers with the same three chords and hoarse vocals – but the crowd was dancing and Jay and I joined in. There was a certain hick chic to the whole thing. You really feel you’re in the Wild West Country, at the Barge, with its eccentric demographic of boaties, croppies, bikers, yokels, druids, bards, boozers and glampers (glamorous campers – the word of the weekend). We didn’t stay long enough to incur brain damage – from the cider or the music – shooting off into the tranquil night with a little relief (and great relief at not camping there). Jay insisted we visited Avebury in the light of the midsummer full moon, which was truly enchanting and worth the effort.

'...like sleeping in a Samuel Palmer painting'

We three poets – Jay, Dawn and I – wandered around in the silvery light, savouring the spell-binding beauty of the place. There wasn’t a soul in sight – and the place regained its ancient glory in the glow of the moon, the enchantment not challenged by the traffic and crowds of the daytime. We processed along the chalky ridge – as hard and bright as compacted snow – our shadows proud on the opposite bank like an ogham. Dawn and I spotted a shooting star exploding like a firework over the hill towards Silbury. I made a wish for a loved one. At the beech grove, contained within its matrix of roots, we lent against the smooth grey trunks and nearly descended into Rip Van Winkle-like slumber, from which it was hard to extricate ourselves. With the honey moon lambent through the leaves, sheep huddled quietly nearby, a deep peace over the land, and a benign golden warmth pervading everything, it was like falling asleep in a Samuel Palmer painting. The next day, after resurrecting ourselves, we struck camp and headed up to the Wansdyke, parking up in the droveway by Milk Hill and heading up to Adam’s Grave to enjoy the 360 degree view. The cool breeze was a relief – it was scorching – and the light and space helped to clear my head. You can really get a perspective on things at such a place. Starting to feel weak – having only had a handful of strawberries for breakfast – we wended our way over to Avebury, where we grabbed some lunch at the Red Lion. I bumped into my biker buddy Nigel, who had been up for the whole week. He had played the Oak King in the ceremony at Stonehenge the day before – duelling with, and ultimately being defeated by, his rival/brother the Holly King, who takes his place as consort to the Goddess for the second half of the year. This was my third visit to Avebury in a week, (it’s the hub of things at this time of year, as it probably was thousands of years ago) but I wished to be there for my friend Michael Dames’ launch – who was celebrating the publication of his new (and apparently last) titles, Silbury: resolving the enigma, by The History Press.

Michael Dames launching his latest Silbury book, Avebury, June 27

He was standing outside the National Trust shop with a kind of ‘art altar’ illustrating his theory of the hill, the largest man-made mound in Europe, aligned with the phases of the moon at certain times of the year. He gave a colourful demonstration, placing his model of Silbury on his head at one point. He seemed prepared to act the clown, but like many clowns, he was prone to fits of grumpy despondency. Yet, he would ‘revive’, like John Barleycorn, regaining his sunny persona and merry twinkle and pass round glasses of wine. I chatted with the publisher of my Lost Islands, Bob Trubshaw, (Heart of Albion Press) who videoed the whole thing for posterity.

sitting with Michael outside the National Trust shop, Avebury

I was wilting by this point – after alot of sun, beer and little sleep – and so I headed home for a much needed ‘quiet night in’ (watching Christopher Eccleston on superb form in ‘Lennon Naked’). I felt I had truly made the most of this exceptional weekend – apparently a time of great cosmic events (full moon; lunar eclipse; Grand Cross; the sun and moon in alignment with the centre of the galaxy…!). Exhilarating and exhausting and utterly memorable.

This extract sums up the last few magical days perfectly…

‘The Piper at the Gates of Dawn’ – from The Wind in the Willows by Kenneth Grahame

The line of the horizon was clear and hard against the sky, and in one particular quarter it showed black against a silvery climbing phosphorescence that grew and grew. At last, over the rim of the waiting earth the moon lifted with slow majesty till it swung clear of the horizon and rode off, free of moorings; and once more they began to see surfaces–meadows wide-spread, and quiet gardens, and the river itself from bank to bank, all softly disclosed, all washed clean of mystery and terror, all radiant again as by day, but with a difference that was tremendous. Their old haunts greeted them again in other raiment, as if they had slipped away and put on this pure new apparel and come quietly back, smiling as they shyly waited to see if they would be recognised again under it.

Fastening their boat to a willow, the friends landed in this silent, silver kingdom, and patiently explored the hedges, the hollow trees, the runnels and their little culverts, the ditches and dry water-ways. Embarking again and crossing over, they worked their way up the stream in this manner, while the moon, serene and detached in a cloudless sky, did what she could, though so far off, to help them in their quest; till her hour came and she sank earthwards reluctantly, and left them, and mystery once more held field and river.

Then a change began slowly to declare itself. The horizon became clearer, field and tree came more into sight, and somehow with a different look; the mystery began to drop away from them. A bird piped suddenly, and was still; and a light breeze sprang up and set the reeds and bulrushes rustling. Rat, who was in the stern of the boat, while Mole sculled, sat up suddenly and listened with a passionate intentness. Mole, who with gentle strokes was just keeping the boat moving while he scanned the banks with care, looked at him with curiosity.

`It’s gone!’ sighed the Rat, sinking back in his seat again. `So beautiful and strange and new. Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever. No! There it is again!’ he cried, alert once more. Entranced, he was silent for a long space, spellbound.

`Now it passes on and I begin to lose it,’ he said presently. `O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.’

The Mole, greatly wondering, obeyed. `I hear nothing myself,’ he said, `but the wind playing in the reeds and rushes and osiers.’