Tag Archives: fantasy

The Way it Happened

There now, I have chopped off half the winter.’ Traditional tale ending.

Chapter 33: The Way it Happened

The old man sat back in his battered armchair and groaned. ‘Ah, my bones. This cold has made them worse than usual. They ache like a seawife’s heart for her drowned sweetheart.’ Snorri wore a thick Icelandic cardigan, patterned with snowflakes and sunflowers.  His craggy face was like a map of sorrow and hardship, and yet there was a spunk of fire in his eyes beneath the kindling of his eyebrows. In contrast to his stiff, jagged body his hands were mercurial, conjuring gods and monsters out of the air with the simplest of gestures.

Around him in the Harbour Master’s Office, where he had temporarily taken up residence, sleeping in the lighthouse, and running a scratch school in the office while the main school remained closed, were the children of the community, those ‘not too old’ for stories or too young to understand, although some infants lay curled against their mothers, who helped run a makeshift nursery between them. Others had ‘called by’, on some vague errand, and lingered in the doorway, eavesdropping with a mixture of scepticism and amusement.

Snorri’s afternoon story sessions were becoming a popular fixture of the community. In the gulf left by online entertainment folk had taken to making their own again – board games, singalongs, drumming circles, and storytelling.

‘So, nobody wants another story do they? You look tired. Perhaps you should all go home and have a nap…’

‘One more story. Please…!’ cried the children.

He raised his bird-hands in mock defeat. ‘Very well then. Only one more mind. Then it’s hometime. Otherwise I’ll be run out of town, for leading you all into the hillside of tale like some Pied Piper. Which one shall it be? Scary? Sad? Funny?’

‘Tell us about the end of the world again!’ someone cried, and others joined in, echoing the sentiment.

Snorri laughed, stroking his fox-like beard. ‘The one I told yesterday? And the day before that? Ah, you have appetites worse than Thor! Y’know, once he dressed up as a woman to fool the king of the Frost Giants and win back his hammer, Mjolnir. Thrym liked the look of this fine figure of a woman – bearded and bicepped – so much he decided to marry her. At the wedding feast Thor ate a whole ox from tail to horn, eight mighty salmon, all the cakes and sweets, and two barrels of mead, which impressed Thrym even more!’ Everyone laughed and Snorri went to get up and leave.

‘Stay! We want our story!’

‘What?’ He smacked his forehead. ‘Plain forgot! My memory! It’s like a Swiss cheese in a colander!’ He settled down again, scanning the eager faces, lit by the candles set up around the room. ‘Very well, then. Let me tell you about the end of the world. This is the way it happened…’

‘Our Eddy, yes! Eddy Leif Redcrow of Gimli, Manitoba! Icerider! He who had crossed the Atlantic Ocean on his iron steed! Friend of giants and foe of demon raiders! He had a difficult job to do! He had to reach Law Rock, the ancient rock in Thingvollr, the crack in the world, where all the laws of Iceland were proclaimed. Why? Because there he had to recite the Runestone given him by his grandfather, my old dear pal, Running Bear, may his spirit be at peace in the arms of the Great Creator. If he could he could bring an end to the war of the gods that had locked the world in an icy embrace. He could bring an end to the end. Unfortunately, between him and his goal there was that loathsome trickster, Loki, and his hellish hordes: wolves! worms! trolls before them! Ice Force shock troops behind! The chasm of the sundered world below!’

The audience gasped in delightful terror.

‘But our hero was not alone! Oh no! He had mighty friends! Odin One Eye, the Allfather, riding his eight-legged steed, Sleipnir! Tear, god of war, who, with one hand could do more damage than a ten men with twenty! Rig, the guardian of Bifrost, blower of the great horn that woke the gods! And the rest of the Raven god’s crew – Will and Way, his powerful brothers! Fearsome Frey! And let us not forget the formidable Fenja, the frost-giant’s daughter who had melted Eddy’s heart! They led the Wild Hunt into battle – the final battle that they would fight! Many others had been lost along the way. It had been a hard road. But soon all would be reunited in Odin’s hall! This was the day foretold by the Weird Sisters! Ragnarok! The twilight of the gods! The world had endured the terrible Fimbul-Winter! Frost giants had walked the Earth, crushing humanity beneath their big boots! The Death Ship, Naglfar, made from the untrimmed nails of the dead, had sailed. The legions of Hel herself had sallied forth, raining down fire on the world! Surt woke up and his breath choked the sky! The Sons of Muspel rode out and nowhere was safe! Even Gimli!’

He looked around at the adults, who now were hooked too.

‘Yet Gimli was foretold to be where survivors of the end of the world would live … it is the place protected from the fire! We’re tough! We fight! And we protect our loved ones! But without Eddy’s bravery we would never know safety! The place more beautiful than the sun would always live in the shadow of conflict! And so the Wild Hunt had to do what they did, for us all. For communities like us across the world. For people who didn’t even believe in them, who didn’t even know they existed! Their sacrifices that day would be forever unknown if not for the one who survived … but I get ahead of myself! All things in order. Everything and everyone must play their part in the web of wyrd. Ask the Weavers!’ He pointed at the women in the room. ‘They know! They understand! The warp and weft… there must be a pattern to it, a sequence!’

‘We’d better not let you near a loom then!’ one of them called, and they all cackled.

‘Harrumph!’ His frown melted into a smile. ‘So, the Wild Hunt fought against Loki and his lackeys – and what a battle it was! There, where the world is sundered. If it was not already so, the force of their clash would have broken it in twain! What a sound! The Earth shook!’ He stamped his feet up and down on the floor-boards, making a dull rumbling sound. ‘The sky was shattered by lightning!’ He weaved his hands back and forth, his rings glinting in the candle-light. ‘Crash! Boom!’

The young audience gasped in mock-terror and delight, while some of the adults rolled their eyes.

‘The outcome of such a battle was very close. Very close indeed. Such valour! Such deeds were seen on the Plains of Vigrid that day! It was the ultimate Holmgang—’

‘What’s that?’ asked a wide-eyed child.

‘Well, little one, I’m glad you asked. Holmgang is a Norse custom for settling disputes. The two feuding parties would go to an island to sort out their differences – only one was allowed back. It was a fight to the death. As it was that fateful day! One by one, the mighty gods fell – like tall trees in the forest. The Allfather is eaten by Fenris the Wolf in gigantic gulp…’ Roaring, Snorri used his arms to mime the jaws snapping shut. ‘Like that!’

The audience gasped.

‘Tear is torn apart from Garm, Hel’s own hound, while slaying it with his dying breath!’ Snorri growled and howled. ‘Frey and Surt destroy each other. Biff! Bash! Pow! And Rig, wily Heimdal, runefather and friend to all, falls at the hands of Loki, even as he delivers a fatal blow to that double-tongued trickster! And like trees in a storm, the rest of the Elders of the Wild Hunt topple. But they’re deaths are not in vain! Eddy reaches Law Rock, guarded by Fenja! He pulls out the runestone and … he can’t read it! It’s all in runes! A fatal flaw in the plan! All their deaths in vain!’ He smacks his brow in disbelief.

‘No!!!’ the children cried out.

‘Except … Fenja, she blows wisdom into his mind – puff! Like that! And suddenly, he can understand the markings! A-ha!’ He points a finger up in the air.

‘A-ha!’ the children echoed, mirroring his gesture.

‘He starts to recite the runic inscription, as the gods die around him, and the remains of Loki’s horde swarm towards the rock! Fenja fights them off as best she can, but she is hideously outnumbered. She can only hold them off for so long… All seems lost…’

Snorri looked around and saw even the adults were awaiting his next words with baited breath. The candle-light seemed frail in the gloom. This golden circle of humanity, so precious, so fragile.

‘Then Eddy’s words, spoken with power – he’s not a rocker for nothing – were finished. There was a vacuum of noise into which all the din of battle was sucked.’

Snorri paused for effect. You could hear a pin drop.

‘And then a great blast of energy rippled out from Law Rock across the Thingvollr, across Iceland, across the Atlantic, across the world! KA-BOOM!’ He clapped his hands. ‘Eddy released the Ragnarok runes, encoded on the Vérendrye Runestone, lost but found, right here in Manitoba! Preserved for centuries by the Redcrows! The tablet crumbled to dust and blew away in an icy breath of wind. Whoosh!’ He flicked his hand.

‘Whoosh!’ the children copied.

‘Eddy lay unconscious on the Law Rock. All was still and silent. Slowly, painfully, he revived. A patch of blue appeared in the sky overhead, and a shaft of sunlight pierced the gloom. Sunlight! Golden, like the hair of his beloved… Fenja! He got up and saw her at the foot of the rock, her broken body on a pile of the demon hordes. “No!” he cried, and stumbled down to her. Her body was limp and lifeless. He held her in his arms and wept. They had won, but at what cost?’

Snorri looked slyly about the room and saw there was not a dry eye. Satisfied, he continued. ‘Eddy sat there for a long time, holding the body of his sweetheart, amid the corpse-strewn battlefield, a feast for crows. If the Valkyries moved among the valiant, taking them to Valhalla, he could not see. All he saw was the white landscape running red with blood, his heart as black and as cold as the rock he sat upon. Then a slit appeared in the freezing air, glowing bright blue. It widened and heightened until a giant was framed. It was the King of the Frost Giants! Eddy was too weak, too bereft, to move, to react. If his time had come, so be it. But the frost giant wept too – tears of ice – and, reaching down, tenderly picked up Fenja and, turning back into the portal, carried her away.  ‘Wait! Stop!’ he cried, but it was futile. The King disappeared into Jötunheim, but, strangely, the portal remained open – and looking closer, Eddy could see, on the far side of the mountainous plateau, another portal, and through that, he saw … home! Gimli!’

 A cheer went up.

‘And so he took his leave of that place, where his words had healed the wound of the crack in the world. He stepped through the portal and …’

The arrival of another made Snorri stop and everyone looked up.

In the doorway, looking weak, but alive, was Eddy Redcrow.

‘Hey there! Am I missing anything?’

***

Extract from Thunder Road by Kevan Manwaring

Copyright (c) Kevan Manwaring 2020

The Storyteller

DJ Foghorn on GIMLI XYZ:

‘Cockle-doodle-doo! It’s your favourite loudmouth here! How are you all doing out there, Gimli folks? Keeping your asses warm? Is it chilly enough for you? Burn some books, that’s what I say! It’s all on the web these days. Although that’s gone down too.  Hold up! [sound FX of a screeching brake] So maybe keep some books back. Cookbooks. DIY. Survival skills. Useful stuff. Not novels. That can all go in. Who needs made-up stories when you’re living in one?’

Polar Night, Finland

Chapter 22: The Storyteller

The man skied along, apparently alone in a vast, wintry landscape. A rifle was slung over his shoulder in its case, and a brace of rabbits balanced the other side. The figure was slight, but nimble – negotiating the bumps and bends of the snowscape with confident ease. Each deft push of the pole sent him hissing along on his well-waxed skis. He came to the edge of a cliff and stopped like an ice-skater. Sinking his poles in, he pulled back his hood and lifted up his goggles. It was a spry old man in his seventies with blue lagoon eyes and a wispy goatee that still had a trace of red to it. He looked out over the frozen surface of Lake Manitoba and clucked his tongue.

‘Well, Snorri, you old fox. Even you did not expect to see this! The Fimbul-Winter is truly here!’

Having lived alone for most of his adult life, Snorri was used to talking to himself. He did not see it as odd. ‘It’s the only way I can have an intelligent conversation around here!’ he would joke. In truth, he’d had plenty of company over the years – hundreds of Gimli’s brightest hopes, scratching out there sentences in his classroom while he tried to kindle in them a love of history and literature, geography and art; and then, after he retired, the various audiences he shared his considerable repertoire of tales with. He had been working on an oral history of Gimli for decades, painstakingly collecting family histories, anecdotes, songs, folk tales, jokes, folklore … anything. He took perfunctory notes, sometimes audio recordings, but most were stored in his carpet-bag of memory. He felt it his duty to keep the material alive, in circulation, fearing it would die out if it was locked in written form. Whenever he heard a tale, he would exchange it for one of his own. A joke for a joke, a song for a song, and so on. It seemed fair barter. The fact he was as good a listener as speaker, made him welcome around most people’s hearths. Many found themselves opening their hearts to him, and sharing things they hadn’t talked about in years. Secrets and ghosts, and tears of joy and sorrow.

Yes, he had plenty of company. Returning to his small place he would reflect upon what his snares and traps of smiles and handshakes had brought him. He never went hungry.

His bright, canny gaze swept over the flatland, scanning left until it alighted upon the cluster of buildings he knew as home – so frail and vulnerable looking against the might of this freak winter.

‘Ah, good citizens of Gimli. May Heimdal protect you!’

He replaced his goggles and hood, and, taking up his poles, skied along the lakeshore down towards the scattered homes on its fringes. 

As he skied, he sang a Dakota tune to himself about the return of the Thunder Bird, which heralded the Spring.

The first house he came to was the Redcrow’s place. He’d heard how they were fearing the worst for their son, young Eddy, and so Snorri decided to call in on them, to be neighbourly.

He placed his skis against the porch, and stamping his boots free of snow, he knocked on the door.

Sitting Cloud answered, looking flustered in an apron. Good smells were coming from inside, as well as cussing from her husband, yelling from her daughter, and snoring from her father.

‘Well, well, look who rolled down the hill!’

‘I was passing by. Thought I’d check in on you.’

‘What, are you the district nurse now?’ She laughed. ‘Better come inside then, dry your boots. Quick, before we lose the heat!’ Sitting Cloud bustled him inside. She noted the brace of conies. ‘Look at you, the great white hunter!’

Snorri carefully put down his rifle, and lifted the rabbits off. ‘Figured I needed something for my pot, but here – have one! A gift!’

‘Oh, Snorri…’

‘Go on. No point in being backwards in coming forwards. We all know how hard it is to keep bellies fed at the moment, with the roads blocked, and the stores running low.’

Sitting Cloud accepted it, giving him a peck on the cheek and a hug.

‘What’s this? I turn my back for five minutes and you’re having an affair with a senior citizen!’ It was Magnus, standing in the doorway, a bear of a man in an Icelandic sweater.

‘Well, he’s in good shape, husband – unlike you!’ Sitting Cloud laughed, slapping his sizeable belly.

‘Keep feeding us your infernal pulses and beans and we’ll all end up like him! A streak of piss in the snow!’ He roared, and gave their visitor a bear-hug. ‘How are you, you old fox!’

‘Trying to breathe!’ Snorri gasped.

‘Come in! Have a shot of something warming…’ Magnus started to clatter around the drinks cupboard and finally found two unused glasses, which he dusted with the bottom of his sweater.

‘Look! He’s brought us a rabbit!’

‘Then you are thrice-welcome, Snorri! Sit. Warm your bones. Tell us your news. We’re all in the dark here now the internet has gone down. According to my blessed daughter that really signifies the end of the world!’ he yelled across the room.

‘Keep it down, you oaf. Father is trying to sleep!’ said Sitting Cloud, clearing a chair for their guest.

‘That’s all he does these days!’ rumbled Magnus.

‘So would you, if you’d hunted down a mankiller!’ she hissed.

‘Yeah, yeah. How grandfather saved Gimli. We’ll never hear the end of that one!’

Snorri was already very familiar with how the Sheriff and Running Bear tackled the Wendigo. The details had been kept away from the press, but the ‘Gimli grapevine’ soon had worked it up into legend. He still needed to talk to Ava and the old man about it – but the heavy snow had caught them all off-guard, and most folk had been snowed in for days now.

‘Here!’ Magnus presented Snorri with a shot glass of vodka and clinked it with his own. ‘Skol!’

Snorri waited for his host to settle, sipping his vodka slowly. ‘Ah, how I’ve missed your antifreeze, Magnus!’ They watched the log-burner for a while, while Sitting Cloud fussed in the kitchen. Custom dictated they offered him chocolates and coffee, but they were running low. ‘How are you all … bearing up?’

Magnus downed his vodka, leaned in close and spoke low: ‘Siggy is taking it the worst. She won’t give up. Believes he’s still out there somewhere. Surviving – in this!’

‘What about …?’ Snorri nodded to the kitchen.

Magnus blew out his cheeks. ‘Well, a mother, y’know. He was the apple of her eye. She’s coping by going into overdrive. Says we need to keep his room ready, the place warm and broth on the go, as though he was going to walk through the door at any minute!’ He shook his head, staring at the empty glass.

‘Eddy is a chip off the old block. If he’s anything like you two stubborn old mules he’ll be out there somewhere, making a go of it. I just know it.’

‘See! See! What did I tell you!’ It was Siggy, standing in the door from the bedrooms, looking wild-haired and dressed in a Rocky and Bullwinkle onesy and dressing gown, with one slipper.

‘Siggy, please!’ groaned Magnus.

‘Sit down, love. Have something to eat…’ implored Sitting Cloud.

‘Hey, Siggy’s right. It’s a tough old world out there at the moment, but we can’t give up hope.’

‘I can hear a story coming on…’ Magnus smiled.

‘Only if you want one…?’

‘Please, go on.’ Sitting Cloud sat down and gestured to her daughter, who curled up onto her.

‘You may well know this tale but I find with the good ones you can tell them again and again – like drinking a glass of water. Always hits the spot when you’re thirsty!’

‘Get on with it then!’ said Magnus, pouring them both another shot.

‘Rabbit lived with his grandma in their snug old lodge. Every day he went a-hunting. But you know what? No matter how early he got up, someone always beat him too his traps, leaving them empty. “Darn it!” said Rabbit. The only clue who it was – a very long foot print. “I’m gonna get up super early tomorrow, and catch that varmint red-handed!” So, back he went to his lodge, and tried to get an early night’s sleep, but he could hardly settled in anticipation. By the time he finally fell asleep rooster woke him up. He sprang out of bed. ‘The traps! The snares!’ He scarpered to them, but it was already too late. The long-footed thief had already been and got his breakfast, courtesy of his efforts. Rabbit hopped about in vexation. He returned to his grandma empty-handed again. He complained about his rival to his grandmother, who wondered what he had against him. She was wiser and perhaps knew the truth of it, and smiled at her grandson’s plans to stay awake all night to catch the culprit. He went back to the snares and traps and hid among the undergrowth. Using a strong bowstring, he set a snare by the tell-tale tracks, hoping to catch the secret hunter. He was tired from all his hard-work and lack of sleep from the night before, so he nodded off. When he awoke it was day. He panicked, but to his surprise, he found his trap had worked. He had caught the thief who was the Sun itself! Rabbit ran home and told his grandmother in great excitement. “I’ve caught him! I’ve caught him!” “Who have you caught, grandson?” “A very bright fellow. So bright in fact, it hurts me to look directly at him!” “Hmm,” pondered grandmother, looking at the grey sky and shivering. “I think you should go back and let him go and quick!” So, Rabbit ran back at top speed and sure enough, he found Sun caught in his trap, all tangled up with the bow-string. “Get me out of this mess this instant! I’ve got a busy day and you’re making me late!” blazed the Sun in his fury.  Rabbit felt the heat of his wrath, but did as he bid. He ducked and dived and, finally, with his good hunting knife – snick – cut Sun free. Immediately, Sun soared up into the sky and returned light and heat to the world, which was starting to get dark and chilly. Rabbit breathed a sigh of relief, but winced – for a patch of fur between his shoulders had been scorched yellow by the sun and remains so to this day, a constant reminder of when Rabbit caught the Sun.’

Snorri finished his tale, and was glad to see Magnus, Sitting Bear and Siggy all sitting there, gazing into the flames of the burner.

‘Well,’ he stretched. ‘I best be on my way. Thanks for the drink. And don’t worry about a bite to eat. I’ve got plenty to keep me going!’

He got up and hugged them one by one.

Magnus handed him his rifle; Sitting Cloud the remaining rabbits.

Putting on his skis, he waved to them as they stood in the doorway. ‘Don’t give up hope, the sun will come back!’ 

Snorri carried on his way, his load slightly lighter – he had six rabbits left – but his heart fuller. He hoped his story helped in some way. On a practical level the rabbit certainly would – providing a meal for a day. Stories, he found, provided food that lasted longer. Despite all the sophistication of modern life, or perhaps because of it folks needed nourishing stories to live by. For too long they had lived off the fast food kind of stories pumped out by the mass media. A healthy mind was like a healthy body – and he prided himself in keeping in shape – you needed to feed it well. A good diet; regular exercise. If you eat junk, you feel like junk, and your dreams become filled with junk. Here he was, in his seventies, and still running marathons and using his extensive memory every day. Use it, or lose it, as they say. Most folks relied upon ‘the Cloud’ or an external hard-drive to save things and no longer try to remember anything. Passwords and pins that’s all people remember these days, thought Snorri, pushing on through the snow. Passwords and pins!

He waved to the Sheriff and one of her deputies, doing the rounds on their snow-mobiles. Ava Rivet was a good woman, thought Snorri. Gimli was lucky to have her. Unlike that waste-of-space Mayor. Even as a pupil, Sonny Thornson had been a selfish bully, always picking on the other kids, stealing their snacks. Now as Mayor of Gimli he was even worse, making sure him and his cronies lined their pockets with local contracts and benefited from his position. In some ways, he was like Snorri – but he used his silver tongue to get his way, making people laugh, playing the buffoon, while he worked his way up the ladder. He was gunning for State Governor – plain as day – but for now, Gimli was his personal fiefdom. Running the department store hadn’t been enough for him. He was always hungry for more. Snorri suspected many of his appetites were on the wrong side of the law, but he didn’t want to poke that hornet’s nest!

With the freak winter all bets were off. Everyone’s priorities shifted to core needs. Survival. Though it didn’t have to be just the fittest who survived. More than ever we need to look out for each other, Snorri thought.

He came to the house of the local priest and saw a lonely light burning in the front room. Reverend Viktor Olafsson was an old chess-playing friend of Snorri’s, and so he called by. His friend was clearly ‘well lubricated’, even though it was not even midday. ‘Snorri! Come in! Come in!’

Olafsson flopped down heavily in his armchair. ‘Help yourself, old friend…’ the priest waved to the drinks table. ‘I’m afraid I’m not really in a state to play a game today…’ He picked up his tumbler. ‘Here’s mud in your eye,’ he toasted, swooshing the contents round his mouth, before swallowing it. ‘Ahh.’

‘Are you eating anything, Viktor?’

`Oh, peanuts … pretzels … There’s stuff in the cupboards, but I really can’t find the time …’

‘You’ve got to eat well in this weather, friend. And you need something to soak up the drink…’

‘You sound like my housekeeper… Always nagging me. I’ve told her she needs to look after her own. The journey is worth it. Nobody is going anywhere. Certainly nobody is coming to church… You know how many people I’ve gave my sermon to on Sunday? Three! And one of those was the organist!’

‘Don’t take it personally. It’s hard to get anywhere at the moment. Unless you have skis or a snowmobile, well, forget it.’

‘Not everybody is as nimble as you! I don’t know how you manage it, doing your crazy running! Anybody think you sold your soul to the Devil for a good pair of legs.’

‘Not quite. But here … have one of my rabbits. Make some broth.’

The priest accepted the gift, stroking the limp body like it was a pet. ‘Thank you.’

Snorri tried to work out what the strange sound was a realised Olafsson was crying. He got up and, awkwardly, put his arms round his old friend.

‘It’s all so … fucking pointless,’ spat the priest, snot and tears running down his face.

‘Here,’ Snorri offered his friend a tissue. He waited for Olafsson to compose himself. ‘Don’t give up, my friend. You know I’ve never been one of the faithful, but I do believe we all need stories to get us through this. We need something to believe in.’

‘That’s the problem… I’m not sure if I do any more.’ Olafsson stared at the facets of his tumbler. ‘All the people suffering … dying … because of this infernal winter. How can a God justify that? How can I explain it to my flock, when I don’t have an explanation for it? It feels like the light of the Father has left us. His children so appalled Him, He has decided to forsake us. It’s no less then we deserve.’

Snorri gave him a hard look. ‘You’re just experiencing the belly of the whale, my friend.’

‘I’m not alone in there! Welcome to Leviathan! Population eight billion and counting!’

‘Here, let me share a story…’ offered Snorri.

The priest shrugged. ‘Why not? Got time to kill. S’plenty of time at the end of time,’ he slurred.

Snorri frowned with concern, but took a deep breath and plunged in. ‘Once they was a hill that ate people. That’s right, a hill with one hell of an appetite. Rabbit’s grandma told him to stay away from it! “Don’t go near that hill, grandson – it has a mean cussedness to it. Will eat you soon as look at you! Even when it’s not peckish!” But Rabbit had a contrary nature. The more he was warned not to do something, the more he wanted to. And so he found himself nibbling closer and closer to that mean old hill and its cave-like crack of its mouth. He knew the name of that hill and feeling mischievous Rabbit called out: “Hey! Pahe-Wathahuni, open that big flap of your’s and eat me if you dare!” But the hill knew Rabbit and his tricks and so ignored him, pretending to sleep. But when a hunting party of two-leggeds came close Pahe-Wathahuni opened his big wide maw and swallowed them whole. Acting fast, Rabbit dashed in behind them just before the mouth closed. Rabbit burrowed deep into the hill’s belly, but this tickled the monster mound, who coughed him up like a hairball. Finding himself back outside, Rabbit waited and another hunting party came along. The same thing happened – the hunters were gobbled up whole – but this time Rabbit, disguised as a two-legged, went in with them. He slid all the way down into the bowels of the hill. There, entangled in the monster’s guts, were the bones of those that had been devoured, and the bodies of those half-digested, and some that were still alive. And then there was a gigantic juicy heart. “What a juicy heart!” called out Rabbit to Pahe-Wathahuni, who was surprised and disconcerted to hear the voice within him! “Why don’t you eat it?” cried Rabbit. “It looks so tasty!” Rabbit took his good hunting knife and went as if to eat it himself. The hill, feeling ‘something that he ate’ was violently disagreeing with him, set to howling. This didn’t stop Rabbit slicing the heart in two – chop! The hill shuddered and split asunder. All the folk still alive within its belly were disgorged and, boy, were they glad to see the blue sky again! They hailed Rabbit as their deliverer, for he had cut Pahe-Wathahuni’s heart in two! The two-legged wanted to make Rabbit chief, but he declined, saying all he wanted was the big heap of blubber and guts left by the dead hill – this would feed him and his grandmother for a very long time. And so he carried the whole lot back to his lodge, and sure enough, they had good eating for many moons after. The end.’

The priest was snoring loudly by this point. Snorri sighed and gently took the tumbler from his hand and placed it on the table. Bidding his friend a quiet goodbye, he put his kit back on and set off, once more, into the snow.

He only had five rabbits left now. Snorri figured he probably wouldn’t have any left by the time he got home, but that would okay. He had plenty of dried and tinned food, and his neighbours mattered more. They were ravenous for story, even if they fell asleep at the first taste! Stories were the best rabbit broth. But as he pushed on through the frozen town, Snorri realised he had to come up with a new story for its population – one they were all writing day-by-day: How the town of Gimli survived the Great Winter.

***

Extract from Thunder Road by Kevan Manwaring

Copyright (c) Kevan Manwaring 2020

The Bone Road

PATRIOT NEWS
A Message from our President

President Koil has broadcast this recent message from his crisis command centre: ‘Citizens of the Free World – this is your president speaking. These are unusual times and they call for unusual measures. If you have seen giants walk the Earth do not be alarmed. My Frost Giant friends, the highest level of special, are helping with the security of our great nation. Keeping our country safe. The threat of Icesis has been met with ultimate force – the rebels are holding out in their stronghold of Reykjavik, but rest assured they will soon be neutralised. The USS Naglfar is at this moment engaged in hostilities. Some bleating liberals have complained about civilian casualties. All I say to that is: collateral damage. What price is freedom, people? We must hold to our resolve. The enemies of truth, justice and the American way are out there, plotting to over-run our country in the midst of this environmental crisis, made worse by the woolly policies of my predecessor. We should have been investing in our natural reserves of energy instead of squandering hard-earned tax-payers money on ‘wind’ and ‘wave’ and ‘solar’ power – what use is any of that now? We need coal, we need oil, and we need geothermal power, which Iceland has in bucket-loads by the way. They can’t keep it all to themselves. This unprecedented global crisis calls for unprecedented measures. Keep warm. Stay safe. Pray for your President. Good night.’

UPDATE: Ice Force units have already been deployed in the field in Iceland from the USS Naglfar, moored off shore. Units have been despatched to deal with the Icesis insurgents holed up in the capital, who have been accused of using the ‘human shield’ of Reykjavik population to hide behind.

The hidden world of frozen oceans | Earth | EarthSky

Chapter 21: The Bone Road

Eddy looked out over the endless ice of the frozen ocean. Here he goes again… He must be a glutton for punishment! But he had two good reasons now to go, to undertake this suicidal endeavour: to return to his people; to find the runestone. When he was given the quest by One Eye Eddy had been torn at first. The whole point of going home was to stay there to protect his family, his community. But now he was going to have to turnaround and come right back – provided this mysterious stone could be found, if it even existed. Yet the Elders seemed convinced that somehow it would be pivotal in the great battle to come – and if it brought about the end of the terrible war of the gods currently devastating Earth then he would be saving his loved ones, perhaps more effectively than anything he could do, a rock musician, in Gimli. What use was an electric guitar against a frost giant?

Eddy stamped his feet, slapped his shoulders, trying to warm up a little. He checked the trailer again before remounting his bike. He cast one last look southeast, where the boom and flash of the battle made him shudder for his comrades. Yet it was the best cover he was going to get – now was the time to fly. The day had begun and he had a long way to go. He pulled on his helmet, and pressed the ignition, rolling the bike down onto the ice with great care.

Canada, here I come! He prayed that Fenja’s hamingja would save his skinny red ass and get him home safe. He really was in the lap of the gods now.

The frozen surface of the sea vibrated disconcertingly with each shell blast from the bay, or was it the thunder and lightning ripping the sky apart? Eddy, grunting at the effort to keep his bike upright, hoped the Wild Hunt was giving as good as they got. They were not many to stand against the full might of Koil’s Ice Force, but they had gods on their side, even ones that were not as strong as they used to be. If only the rest of the world knew … many more would honour the Aesir and their might would increase. But their time had passed and this was the end of things. The best they all could hope for was to end it well.

Finally, the thunderous vibrations subsided and Eddy was left with just the sound of his bike and his breathing. He murmured a song to himself – one of Eddie Vedder’s, his musical hero. It really felt like he was going into the wild this time. But he was not completely alone – he had his upbringing and traditions to draw upon. Growing up in Manitoba, where the temperatures could drop to minus forty centigrade in the winter, he was not unfamiliar with extreme cold, and was probably better able to cope with it then most. Then he had skills taught to him by his beloved Dakotan grandfather – ice-fishing, by making a hole in the ice; hunting deer; building a shelter; starting a fire, even in the wet, with birch bark; navigating without a compass … essential survival skills, which he now realised were incredibly useful and precious. He breathed a heartfelt thank you to his grandfather, who suddenly felt very close. He could hear him now, Running Bear, telling him his wild stories on their trips into the backcountry about Ictinike the Liar, Rabbit Boy, giants and ogres, White Buffalo Woman, the Thunderer … The old man always took a while to open up. It normally took a few hours of trekking. He had never been a great teller, but in his gruff, matter-of-fact way, enthralled his grandson all the same. Eddy smiled, realising that perhaps the White and the Red Roads weren’t that dissimilar after all.

He made good time in the morning, covering a hundred bleak miles. He pulled over at an iceberg, frozen into the ice-locked sea, and in its shelter, he poured himself some coffee and had a snack.

So far, so good.

Iceland was no longer in sight. The horizon was dead flat in every direction. Eddy thought of Gunnar, his other grandfather of Icelandic descent, who had died when he was a teenager. Unlike Running Bear, Gunnar was a natural storyteller who couldn’t open his mouth without spinning a yarn. He remembered the outlandish stories he told about the Norse gods, stories from the ‘old sagas’, as he called them. He always swore he knew someone who was descended from the gods and heroes mentioned, ‘back in the old country’.  The story that had thrilled the young Eddy most was old Gunnar’s account of the Viking discovery of America. He recalled it now, as it gained fresh relevance…

‘Once there was a hapless sailor called Biarne Herjulfson who set sail from Iceland to Greenland, a hard country where some of our people had settled. Biarne had little knowledge of the winds or waters he navigated and was soon lost in fog thicker than your grandmother’s broth. Nevertheless, he pushed onwards and managed to miss Greenland entirely, which was very impressive, as it’s larger than your grandmother’s behind (but don’t tell her I said so). Finally, after many weary days of blind sailing, the fog cleared and the sailors found themselves off the coast of a fair land – hills green with pine, not mountains pointy with ice as he had expected. They did not make landfall, but sailed on to another. The sailors, desperate for firm land beneath their feet, said they should make landfall, but Biarne refused and they continued. After five more days at sea, they finally made it to Greenland and were relieved to see the huts of their own people on the coast.

‘The story does not end there, oh no. Pour your grandfather another vodka – don’t tell you’re your grandmother – and he’ll tell you more. So. When Biarne visited the court of Eric, Earl of Norway, he related his strange journey over the feast, as the mead flowed, poured by the comeliest of maidens. Ah, where was I? Yes! This account was finally heard by the son of Eric the Red, Leif Ericcson, who had colonised Greenland. Leif paid Biarne for his ship and with a crew of thirty five men (including a German named Tyrker) he set sail in search of the mysterious land found by Biarne. His skills as a sailor were far better and Leif had soon discovered the first land Biarne had encountered. It was a barren place, which he called ‘Hellu-land’, the ‘Land of the Flat Stones’ upon landing. They set sail southwards and came to a low-lying wooded country, which, as his foot touched the shore, he called ‘Mark-land’, or the ‘Land of Trees’. They put out to sea again and finally came to a strait lying between an island and a promontory. Here they made landfall and raised huts. The land was fairer in aspect and climate than Greenland – a loving bride as opposed to a reluctant one. Leif split the party in two – he led one, the German led another. Tyrker went missing, but they found him eventually, excited at the discovery of vines laden with grapes, just like his homeland. Loading the ship with the fruit and with fresh timber, they set sail in the spring away from the country Leif called ‘Vin-land’, the ‘Land of wine.’ Leif Ericsson returned to Greenland with news of his discoveries and it was recorded in the annals. Five hundred years before Christopher Columbus Leif Ericsson had discovered Canada and America: Newfoundland, Nova Scotia and New England.’

Eddy smiled at the memory – his Icelandic grandfather getting livelier as the story progressed. His tolerance of alcohol was legendary and he drank the stuff like water. Yet it had killed him in the end. His stories lived on in Eddy’s memory, and he thanked Gunnar for them. They would keep him going, along with his Dakota grandfather’s skills, over the coming days.

Eddy ploughed on, praying his bike wouldn’t let him down. He did not fancy his chances for surviving long out on the ice, hundreds of miles from land, even with the skills and stories of his grandfathers. Remembering the kiss of Fenja warmed his though – boy, he needed her hamingja now! So many things could go wrong with the bike, with him – after all, he was just as likely to break down as the machinery under him. He had maintenance supplies for both on his trailer – food, coffee, vodka, cooking gear, toolkit, spare fuel, spare clothing, a tent, and an all-season sleeping bag. The crater community had been most generous. Perhaps they had just been relieved to see them go, to have the Wild Hunt draw the wrath of Koil away from them.

Eddy thought about the President. Loki! It felt right, by the crazy bullshit he kept coming out with, the increasingly ‘mad dog’ way he had been acting since getting into power.  If one man had been responsible for bringing down this shit-storm on Earth, it was Koil. He must not win. Eddy would do all he could to stop him, for what it was worth!

The president must be shaking in his boots!

The following days passed in a blur of vibration, stillness, snatched sleep, caffeine, and prayers. Eddy rode a hard sixteen hours a day, averaging around five hundred miles. He made decent progress, but he could feel the toll the extreme conditions were taking on his body and on his bike. And his mind. Eddy was haunted by the possible fate of his family, his friends, and of his comrades back in Iceland. The winds howling across the ice at night sounded like their voices.

On day five Eddy’s way was abruptly stopped by a massive crack in the ice, a lightning bolt in negative, stretching as far as the eye could see.  He parked up and got stiffly off the bike, pulling off his helmet. Shielding his eyes against the glare, he stared down into the waters churning away beneath the broken ice – the furious sea, straining to break free of its icy fetters.

Eddy kicked a block of ice, roaring in frustration. It went skidding over the frozen surface like a puck. Sighing, he got back on the bike, and, after a moment’s hesitation rode northwards along the fissure. His heart was racing wildly. He hoped that somewhere the gap would be small enough for him to cross. Every mile out of his way added time to his already long journey. Time he couldn’t afford to waste. His supplies, his gas, would only last so long.

He rode on for a desperate couple of hours until finally he saw something that made his heart leap. At a point where the fissure narrowed there was an ice bridge, formed by large fragments which had splintered off and refrozen, wedging themselves against one another. It looked hazardous, to say the least, but it was the only chance he had.           

He took the bike on a wide arc, giving himself sufficient distance to build up enough speed – and revved the engine.

Muttering a prayer to the gods of the Northmen and the Dakota, he gunned the bike forward.

Just before he hit the edge of the bridge, a giant figure burst from the ice-flo. It was a female, going by her barnacled dugs. Seaweed hair hung down in long, dripping tresses over skin the colour of a walrus. From her wide mouth protruded two huge tusks. Eyes as black as a seals looked curiously at him as she thrashed in the water, a bather coming up for air. By instinct alone, he was able to swing the bike in an averting skid just in time – the bike coming to a stop inches from the freezing waters. The counter-swing of the trailer threatened to pull him in but he punched the release cable at the last second.

No!’ he cried.

Eddy watch in dismay, as the precious trailer skimmed onto the waters, coming to a stop in front of the giantess, who caught it in her hand.

‘Ahh, offerings… Poor Modgud does not get many in this age!’ the giantess complained, her voice like grinding icebergs.

Eddy killed the engine and, trembling, got off the bike. He pulled off his helmet, letting his long dark hair fly.      

‘What a racket you make! Modgud has not heard such, even when the grey armies of the dead in their ship of nail-clippings passed this way. They were silent, compared to you, but they cut through the ocean’s skin with their big iron ships…’

Eddy’s mind whirled – did the giantess talk of phantoms, or of Koil’s Navy, on its way to Iceland?

Tilting her misshapen head, Modgud blinked. Looked closer. ‘But you do not have their pallor… You have too much colour in you. Red blood … What business have you –  crossing the Bone Road?’

Eddy had to think quickly. ‘I wish to visit my ancestors. I … miss them.’

‘Miss them, mmm. Family is everything, is it not?’ The giantess seemed lost in wistful thoughts for a while. Eddy did not want to move, in case she took it the wrong way. One swipe of those arms and he would be mince-meat. ‘Since you have been nice to Modgud, and brought her presents, she will let you pass. Come, cross the pretty bridge she has built. Modgud will not let you fall.’

Eddy bowed – unsure what else to do – and quickly got back on his bike. He felt sick at leaving his supplies, but he had little choice. He turned the bike about and directed it towards the fragile bridge, which the giantess held up.

Heart in mouth, he crossed within feet of her, smelling the rotten fish breath of on her mouth. Pulling the bridge apart, she clacked her tusks and dragged the trailer under the water.

Eddy pressed on.

He prayed he had enough petrol to reach home. As for his own sustenance – he would just have to live off thin air. At least he had not ended up as Modgud’s supper.

***

Extract from Thunder Road by Kevan Manwaring

Copyright (c) Kevan Manwaring 2020

A GROWL OF THUNDER

Thunder Road: Prologue (part 1)

Earth shall be riven
and the over-heaven.
11th century Skarpåker Stone, Sweden

The sky was a slaughterhouse. The ice-crowned crater dominated the tortured landscape, smoke broiling from its broken temple like dark, troubled thoughts. From treacherous fissures steam swirled, reeking and scolding. At the threshold of a lava tunnel stood the crone, wreathed in scorched rags. A gnarled hand wrapped around a warped staff as though carved from the same piece of storm-blasted wood. Eyes blinked open, white and sightless, yet sensing something beyond the spectrum of human vision. Beyond the howling of the wind subtle ears picked up a different sound. The old woman tilted her head – iron-grey plaits stretching to her shrivelled thighs restless in the biting gale – and smiled a black-toothed smile.
            In the distance, a growl of thunder, growing louder. Then, out of the blackness, a beam swept across the broken land. At the foot of the mountain, where the dirt trail ended, the bikes converged. One among them got off and ascended – his large figure picked up in the headlights which helped to light his way – casting a giant shadow before him.
            The crone waited for him to climb to her.
            Finally, he was before her – a giant of man, clad in rank leathers. A leather eye patch, decorated with a grinning silver skull, covered one side of his face. His long white beard was whipped by the wind. From beneath his cut, bristling with studs, he pulled a fistful of glittering treasure and flung it at the crone’s feet.
            ‘Witch, give me a vision!’ he roared, his voice carrying over the storm.

‘No sweet words? Once you tasted of my spring and I gave you a gift of the Futhark.’

‘And I lost my eye as a result!’
            ‘Nothing is without cost, Bolverk One Eye. Kneel!’
            Slowly, he knelt before her – not taking his one good eye from her, its cold orb a sun of fierce ice.

She placed her claw-like hands over his head, fingernails digging beneath his leather eye- patch into the ruined socket. ‘An eye for an eye…’
            One Eye tensed, but did not recoil. He bore the white flashes of pain.

Her white eyes swirled with colour and her form blurred. At times she seemed young, a sparkle of youthful allure and mischief in her eyes; then suddenly, a woman in her prime, powerful and confident; next, in a juddering smear, the crone showed through once more – the skull beneath the skin.

‘Each of us wears many faces, but our soul remains the same. Do not forget who you truly are, Bolverk One Eye, even if the world does. Your name will be chanted at the end of days.’
            Swaying, wailing, and frothing at the mouth, the hag-mother-maiden started to recite his many names.
            Each one was a chisel and mallet to the tomb he had made of his life. A hammering, growing louder until a vision exploded into his mind. A vast tree, growing between the worlds. Nine spheres of shadow and mist, flame and frost. Mighty races of gods and giants, monsters and men. A bridge of seven colours stretching across the worlds from a realm of gleaming halls, flowing with mead served by proud swan-maidens. Warriors boasting of their deeds before the throng. Then a dark cloud covering all. The dream shattered by the crowing of three roosters – golden-crowned, red-billed and black. The howling of a monstrous dog. Vast armies marching to war. Cities shattered by terrible battles.

‘Aarghh!’ he cried.

Her claw dug deeper. Writhing in her skin, the sightless seeress chanted:

‘Behold Ragnarok!

It sates itself on the life-blood
of fated men,
paints red the powers’ homes
with crimson gore.
Black become the sun’s beams
in the summers that follow,
weathers all treacherous—

  She sensed his restlessness. ‘Sorry. Am I boring you?’
           One Eye hissed through gritted teeth: ‘Get on with it, old woman! But speak up! My hearing isn’t what it used to be!’

Grumbling, the crone enunciated her prophecy:

‘Brothers will fight
and kill each other,
sisters’ children
will defile kinship.
It is harsh in the world,
whoredom rife
– an axe age, a sword age
– shields are riven –

a wind age, a wolf age –

before the world goes headlong.
No man will have
mercy on another.’

One Eye gritted his teeth as the hellish vision flashes into his mind. Mountains shook, oceans rose … a winter without end … Old enemies awoken … one by one they fall… The Earth split asunder … all was consumed in flames, smoke and steam – until he could bear no more.
            Crying out, One Eye pulled back: ‘Aargghhh!’ He crumpled on to the floor, breathing ragged. From his ruined eye a line of blood trickled down his face. ‘What I have seen … Will it come to pass?’
            The crone looked at him with inscrutable eyes. ‘This is the wyrd of the world. Only a fool would try to prevent it. Even the gods must die. Their end has come.’
            The mountain shook beneath her. From the summit, smoke and ash billowed, crackling with lightning.
            ‘Ragnarok is nigh!’ she cackled. ‘You have slept for too long, Bolverk One Eye. As have I. Time to awaken! Humanity has neglected us for too long! Man has fouled my body; treated me like his thrall; abused my sisters. But no more! It is time for him to pay! To know the wrath of the goddess! Katla awakes!’
            The long-dormant volcano erupted, vaporising the glacier plugging it in a massive fire-cloud, which sent material thousands of feet up into the air. Molten debris rained down upon the the slopes. From deep within the lava tunnel they stood in came a blast of searing heat.

            ‘We’ve got to get out of here!’ One Eye roared.

            ‘Run, Bolverk One Eye! Run as though you wear magical breeches!’

            One Eye dived out of the tunnel just as a river of lava gushed forth from the volcano’s bowels. The old woman was not so fast – or chose not to escape her fate. Her ragged cloak caught alight and she was wreathed in flames.
            Zigzagging down the mountain, boots sliding on the scree, One Eye made for his men. Gobbets of hot ash and cinder fell around him, bouncing off his cut displaying the three interlocking triangles of the Wild Hunt patch.
            The dark riders gunned their engines as their leader leapt on his metal steed – a beast of chrome, snorting fire. Tyres cut black crescents into the fallen ash as they skidded out of the path of the hypercaustic cloud rolling down its flanks. One Eye led them at speed away from the mountain of fire – spewing high into the night sky, a she-wolf raging against the heavens, howling with hate.

Copyright (c) Kevan Manwaring 2020

Continue reading…

Thunder Road: Prologue (part 2)

Thunder Road by Kevan Manwaring – available soon!

Missionary Impossible

Under the Pendulum Sun by Jeannette Ng – a review

See the source image

There is much to commend in Ng’s ‘novel of the Fae’ about troubled sibling missionaries, Catherine and Laon Helstone, and their strange adventures in Elphane/Arcadia. Ng manages to evoke through her finely-wrought prose the claustrophobic atmosphere of a dense Victorian novel of morality and misadventure; and also the alien, quixotic climate of Faerie. By making her brother and sister protagonists missionaries seeking out to bring the Word of the Lord to the benighted ‘souls’ of this recently revealed Otherworld the novel both aligns with and subverts the colonial project – for the ‘too close’ missionaries are far from without sin, and their mission is futile at worst, at best a metaphysical challenge (do the Fae have souls? what is their place in God’s creation?). Access to the ‘inner lands’ for further proselytising is the main plot McGuffin, but the chief line of desire revolves around Catherine’s unhealthy obsession with her brother – who is a Branwell/Heathcliff/Rochester type. Dark, moody and (to some) irresistible. This is not surprising as Ng clearly riffs upon the Brontë family dynamic and legendarium (which the famous siblings of Haworth created in their younger years). Here, this juvenilia is given the full-bloodied treatment, as Ng feeds it into the mulch of her world-building. The mise-en-scène of each chapter is vividly imagined, but often this seems to be at the expense of narrative traction. Sometimes it is hard to know exactly what is happening – many of the scenes have the feverish intensity and illogic of a dream.  And although the minutiae of Elphane, in particular life in Gethsemane, the Pale Queen’s castle, is exquisitely imagined, the broader brushstrokes of this Secondary World are less convincing: the pendulum sun of the title, the fish of the moon swimming in the sky, and sea whales (which seem to be both made of rickety whicker, yet contain a microcosmic ocean). This no doubt is intended to deliberately subvert the verisimilitude and make the otherworldly realm lack naturalism – and such bold imagery may be original and memorable, it threatens to make the whole edifice a leaky vessel, which I could not fully buy into (rather like CS Lewis’ car-boot Narnia).  Another problem for me was reader-identification. Like a lot of modern fiction I find a lack of relatability – I cannot connect with the main characters, finding it difficult to emotionally invest in them. And narrative traction is missing (for me). I turned the pages out of professional curiosity, not out of urgency. Yet unlike a lot of (modern) fantasy, Ng’s prose aspires to a slightly elevated register, which successfully evokes the music of strangeness (‘a catch of the breath’, as Susan Cooper describes it). Ng’s depiction of Faerie is the best I have seen in contemporary fantasy. She lards each chapter with an epigraph, pastiches written wittily in the style of bombastic Victoriana, or stuffy exegeses. These often evoke the texture of an AS Byatt novel (notably Possession) but are convincingly done. Ng’s academic background and interests (MA in Medieval and Renaissance Studies/medieval and missionary theology) clearly inform these, but I found them rather laborious after a while (one can always choose whether to read them or not). Perhaps too much salt, and not enough meat for my taste. Nevertheless, Ng’s first novel bodes well. She is evidently a talented writer with a vivid, and original imagination. I look forward to seeing what she conjures up next.

Kevan Manwaring 31 July 2018

Step into Faerie

A Contemporary Fantasy based upon PhD research into Fairy Traditions and Folklore of the Scottish Borders  – coming soon…

 

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Cover by Tom Brown, photography by James Barke 2017

 

 

Janey McEttrick is a Scottish-American folksinger descended from a long line of female singers. She lives in Asheville, North Carolina, where she plays in a jobbing rock band, The Jackalopes, and works part-time at a vintage record store. Thirty-something and spinning wheels, she seems doomed to smoke and drink herself into an early grave (since losing her daughter she’s been drowning her sorrows and more besides) until one day she receives a mysterious journal – apparently from a long-lost Scottish ancestor, the Reverend Robert Kirk, a 17th Century Presbyterian minister obsessed with fairy lore. Uncanny things start to happen… She and her loved ones are assailed by supernatural forces, until she is forced to act – to journey to Scotland to lie to rest the ghost of Robert Kirk. Until she accepts who she is, and the gift passed down to her by her ancestors, the gift of the knowing, Janey will never find peace.

Gripping, emotionally affecting, difficult to put down Nimue Brown

Contemporary Fantasy; Scotland; Appalachia; Second Sight; Fairy Tradition; Supernatural Ballads

 

Kevan Manwaring is a writer who lives in Gloucestershire, on the edge of the Cotswolds. The Knowing is the culmination of his Creative Writing PhD at the University of Leicester. To write it he has undertaken extensive research into the folklore of the Scottish lowlands, Robert Kirk, Fairy traditions, ballads, the Scottish diaspora in Southern Appalachia, Cecil Sharp, borders and the Fantasy genre. He has spent many hours in research libraries (The British Library, as an Eccles Centre Postgraduate Fellow in North American Studies; the Vaughan Williams Memorial Library, Cecil Sharp House; University of Edinburgh; National Library of Scotland; App. State library & others); he has done extensive fieldwork in the Scottish Lowlands and Highlands and in North Carolina; he has walked the West Highland Way and Hadrian’s Wall; he has co-created and performed a show, ‘The Bonnie Road: tales and ballads of the Borders’, with his partner, the folksinger Chantelle Smith; he has written a collection of poetry inspired by his field-trips, Lost Border (Chrysalis 2015); and he has taught himself guitar and ballad-singing. Other books include The Windsmith Elegy (5 volume Fantasy series), The Bardic Handbook, The Way of Awen, Desiring Dragons, Oxfordshire Folk Tales, Northamptonshire Folk Tales, and Ballad Tales: an anthology of British ballads retold (editor). He blogs and tweets as the Bardic Academic.

 A special preview copy of The Knowing will be released as an e-book on 20th March 2017. If you would like to order a copy or would like to review it, please contact the author: km364@le.ac.uk

 

 

The Puzzle of the Wood

What am I? Nosing here, turning leaves over
Following a faint stain on the air to the river’s edge
I enter water. Who am I to split
The glassy grain of water looking upward I see the bed
Of the river above me upside down very clear
What am I doing here in mid-air?

Ted Hughes, Wodwo

There is something about walking in a wood which stirs something within us. The dappled sun filtering through the canopy, the twisty roots and gnarled boughs, the dripping moss, ferns and fungi, the green silence. It gets the imagination going. We start to see things, or daydream – as though the wood draws out our dreams and give them form.

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This was the late, great novelist Robert Holdstock’s flash of genius – one that came to him in a writing workshop in Milford-on-Sea in 1979, which resulted in an award-winning short story (1981), which led to a multiple prize-winning novel, Mythago Wood (1984), and spawned a series seven connected of novels over the ensuing 25 years. If Holdstock never visited Puzzle Wood in the Forest of Dean (he tragically died of an e-coli infection aged 61, in 2009) then it feels like it visited him – as though it had sprung from his fecund mind.

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The 14 acre stretch of ancient woodland deep in the heart of the Forest of Dean is riddled with pathways which snake their ways amid the rocky outcrops, tangle of trees, creepers, ferns and roots. The result of a collapsed cave system which was mined by the Romans for iron – the mineral yew trees love, as is evidenced by the many mature specimens there, rising from the rock they both cling to and shatter with their tensile roots and long bow limbs. For centuries this curious sylvan labyrinth has drawn visitors to wander and wonder at its origins and denizens. It is easy to imagine it being frequented by all manner of elves, gnomes, goblins, dryads and dwarves. Some believe Tolkien visited it and found inspiration (in fact he visited the nearby Lydney Park, which boasts similar workings – known as ‘Scowles’ – cheek-by-jowl to the ancient temple to Nodens – being surveyed at the time by the archaeologist Mortimer Wheeler. There, hearing of the ‘Lord of the Mines’, as Nodens was called, and seeing the legend-soaked ruins gave him some serious material to conjure with). Yet the magical associations with Puzzle Wood have lingered, enhanced in an interesting way by the many recent TV and film productions shot there: Merlin; Atlantis; Wizards vs Aliens, Dr Who, Jack the Giant Slayer and the latest instalment in the Star Wars franchise: The Force Awakens. Walking amongst the weird tree-scape of Puzzlewood the ‘mythagos’ (to use Holdstock’s term for archetypal forms generated by a human imagination interacting with the wood’s ‘consciousness’) conjured are drawn from the very same pool of myth as his cast (Merlin; King Arthur; Morgana le Fay; time-travelling wizards; Jack the folk hero; dark lords with fiery blades and Force-full maidens) but it is one fed to us from movies and TV series, rather than the oral tradition or literary folk tale. A similar process is occurring as perhaps might have transpired in the Middle Ages, when villagers ventured into the wood, all too aware of the perils to be found there to their souls: demons and witches, wodwoses and wyverns, the Good Folk and Old Scrat himself, evoked by thunderous sermons and stained glass windows – the cinema of its day. The green men and gargoyles that linger in the corners of church architecture were always there to pounce upon the wayward soul.

puzzlewood_82_by_ladyxboleyn-d6cp4ko

Today, a walk in the woods is a lot safer – certainly at the family-friendly Puzzlewood (which offers cute animals, treasure trails, café, picnic areas, and other attractions). But even in such a ‘managed experience’ there is magic to be found. All you have to do is pause and spend a while soaking in the ambience and let your imagination soar. Such a place brings out our natural storyteller, and we start to populate it with our own fanciful musings (for example, a troll beneath a billygoat bridge, as I heard one adult whimsy). A milder form of Holdstock’s mythago-generation occurs. The wood mirrors what we bring into it, but also transforms it – it takes the carbon of our mundane lives and turns it into the oxygen of ideas.

One of the wood’s charming characteristics is the way it has different levels – one moment you are looking down on a Pan’s labyrinth, next thing you know, you’re squeezing through a mossy cleft into a hidden dell. The collapse of the cavern system and the Roman quarry have, in effect, brought the ‘unconscious’ of the landscape into the light. What was hidden in the dark has now been revealed. I think this why it feels so numinous – it feels like a slippage of the waking world into the realm of dream. Suddenly, we’re in the stuff that tales are made of. To explore it is to create your own narrative thread – albeit one that inevitably gets tangled as we get lost, cross the paths of others, double-back, and basically get into a bit of a muddle. Getting lost in a wood, even in a semi-conscious way, makes us all, for a moment, Hansel and Gretel. Yet, the visitor centre is not far away, and the madding world is noisily nearby. It is impossible to forget yourself or your century entirely, but for a little while we almost can. The puzzle is not that it is there, but that we bother to come back at all. For a spell, we can pretend to be babes in the wood, until the cold drives us to the cafe!

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http://www.puzzlewood.net/index.php/puzzlewood-facilties/about-the-wood

Puzzle Wood reminded me of another woodland nearby (Rocks East Woodland, on the borders of Gloucestershire, Wiltshire, and Somerset). Rocks East has it’s own ‘valley of the rocks’ (also probably a Roman quarry), grotto, sculpture trail, turf maze, and peculiar magic. It is a place I have a special connection with – a decade’s worth of stories: http://www.rockseast.org.uk/

The Birth of Dragons

Tonight sees the launch of my latest book, Desiring Dragons: creativity, imagination and the writer’s quest, published by Compass Books. I’m hosting a Story Supper Special – with a dragon-flavoured theme (‘scaly tales, serpentines poems and wyrm songs’). It should be fun!

The book is based upon my 13 years of teaching creative writing (10 with the Open University); and arose out of a course I ran on ‘Writing for the Imagination’ at the University of Bath back in 2005. Since I wrote the first draft in 2006, it has taken a while to see the light of day – but I believe in ‘staying the distance’, and the book explores strategies for what I call long-distance writing. As in the fable of the tortoise and the hare, it’s the tortoise who wins in the end!

Here’s a recent review from poet Lorna Smither’s Peneverdant blog

Book Review: Desiring Dragons by Kevan Manwaring

desiring-dragons-compass-books-front-cover Kevan Manwaring is a writer, teacher and storyteller living in Stroud. His publications include seminal works on Bardism, a series of mythic realist novels and collections of Oxfordshire and Northamptonshire folk tales. Desiring Dragons: Fantasy and the Writer’s Quest is unique because in contrast to the plethora of ‘how to’ guides it forms a study of the creative process, examining why we write, the act of writing and its benefits to writer and reader.

The first part, ‘Desiring Dragons’ focuses on the theory of writing fantasy. Kevan says the mistake most beginner writers make is copying other writers without understanding the nature of fantasy or the act of creation. He defines fantasy as ‘the means by which we imagine and enter other worlds,’ and discloses its roots in storytelling as a shamanic tradition. The other worlds of fantasy are presented as sources of imaginative possibilities which can provide alternative perspectives on this world. By seeing this world in a different way we perceive new choices and ways of bringing about change.

I found this to be a powerful argument as all too often fantasy and imagination are equated with unreality and seen as lacking in value. By showing that fantasy fulfils the needs of individuals and society Kevan demonstrates its worth. I think this will be a great source of encouragement to other writers, particularly those doubting the value of their work because they have been told fantasy is a form of escapism or disengagement from society.

The second part, ‘The Writer’s Quest’ covers the practicalities of writing fantasy. In a striking display of originality Kevan uses Beowulf as a ‘mythic template’ for exploring the processes of creativity. Grendel’s assailment of Heorot is seen as a metaphor for the writer being haunted by the demons that drive them to write. The lake symbolizes potential and plunging into its waters the point of no return. The message of the dragon’s lair is that a writer shouldn’t sit on the gold of their word hoard because it contains the life force itself, which demands to be passed on.

What I liked most about this part is that it is enthused with Kevan’s personal experience of the exhilarating yet often nightmarish process of writing a novel. I think any writer would recognise these processes and find relief and encouragement in not being alone.

Each chapter is followed by a series of ‘questings’ prompting the writer to examine their creative processes from a different angle. ‘Summoning the Hero’ explores ways of seeing oneself as a writer. ‘The Bloody Limb’ suggests ways of looking at a first draft. ‘Needful Digressions’ calls the writer to consider whether they are harping on like the scolds do about Finnsburgh. I think these exercises will be effective as rather than telling writers what to do they call for reflection on work, creative processes and motivations.

The final part, ‘The Dragon’s Hoard’ is a collection of essays covering an eclectic range of topics ranging from mythic literacy to cultivating a daily writing practice, which is easy to dip in and out of. An essay which currently resonates with me is ‘Writing Magical Fiction.’ Here Kevan suggests good writing in this genre is rooted in experience of real magic- in the Awen (inspiration), forming living relationships with one’s muses, practicing an existing magical system and connecting with the landscape and changing seasons.

As a poet I found this book immensely valuable because rather than just examining the ‘how’ of writing it examines the ‘why’. Any form of writing is a gruelling task. Whilst the ‘how’ provides the tools, ultimately it’s the ‘why’ – our innermost desires and motivations that see us through to the end. Desiring Dragons provides ways of accessing and understanding them. Therefore I would recommend it highly to writers of all genres.

The Fascination of the Worm

Dracophilia...  My latest book - due from Compass Books soon!

Dracophilia…
My latest book – due from Compass Books soon!

Even today (despite the critics) you may find men not ignorant of tragic legend and history, who have heard of heroes and indeed seen them, who yet have been caught by the fascination of the worm.’ JRR Tolkien6

 

Twentieth Century Professor of English and novelist J.R.R. Tolkien, who perhaps more than any other single author has brought alive worlds of Fantasy in his vast Middle Earth sequence of stories, as a child ‘desired dragons with a profound desire’:

 

Of course, I in my timid body did not wish to have them in my neighbourhood. But the world that contained even the imagination of Fafnir was richer and more beautiful, at whatever the cost of peril.’7

 

If we read this as a yearning for Fantasy, (that is, the experience of such, as opposed to the genre – although we will dignify both with the capital in the hope that one will encourage the other) then I do not think he is alone in this, as the huge popularity of Fantasy in books, films and computer games prove. There seems to be an endless appetite for it: The Lord of the Rings, Dr Who, Star Trek, Star Wars, Harry Potter, TheTwilight Saga, Avengers Assemble, and no doubt more ‘franchises’ await to hit the big or little screen. Despite a distinctive post-9/11 trend for ‘real life stories’, gritty realism, and tales of hard luck and ‘winning through adversity’ (spawning shelves of ‘misery lit’; or ‘trauma memoir’) the world, it seems, is hungry for Story, especially of the fantastical kind.

Why is it so many seem to ‘desire dragons’, as Tolkien did? What purpose, if any, is there to Fantasy? Is it just make-believe for grown ups, or does it serve a more profound function? This brief excursion into Fantasyland endeavours to explore, if not answer, these questions, and perhaps the very act of asking questions – curiosity, or the quest for knowledge – is at the root of all this ultimately. The desire to know has led humankind from the cave to the moon. Wishing to know what lay over the next hill, and the next, beyond the borders of the familiar, over the sea, over the horizon – following the journey of the sun, our constant companion of consciousness, throughout the day, into the unconscious of night – this has driven humanity on, and fuelled most of its fantasies. The unknown provides a vacuum for the subconscious, for the Shadow, the Id, the other. We populate the night with our own.

And we probe the shadows with a thrill of fear and a desire to know.

Tolkien, in a witty reply to a letter in The Observer (16 January, 1938) signed by someone calling themselves ‘Habit’, requesting more background about ‘the name and inception of the intriguing hero of his book’, (The Hobbit, published 21 September1937) responded thus:

 

Sir, – I need no persuasion: I am as susceptible as a dragon to flattery, and would gladly show off my diamond waistcoat, and even discuss its sources, since the Habit (more inquisitive than the Hobbit) has not only professed to admire it, but has also asked where I got it from. But would not that be unfair to the research students? To save them trouble is to rob them of any excuse for existing.’8

 

Despite Tolkien’s claiming not to ‘remember anything about the name and inception of the hero’, he gave a typically conscientious and erudite reply. His letters show the fathomless quality of his learning (his scholar’s mind akin to the Mines of Moria) and provide a plethora of portals to explore – enough for a lifetime, and thus he has not robbed research students of their existence, but thrown a gauntlet down to ‘curious Hobbits’, who are intrigued by the mysterious origins of such wonders, in what smithies were they forged, and whether the alchemical secrets of the wordsmiths trade can be gleaned, used, and passed on.

I must disclose my own interest in this realm of the imagination – with my five-volume epic, The Windsmith Elegy9, I could be categorised as an author of Fantasy, although I prefer the term ‘Mythic Reality’ (for that is how it feels to me – more of which we will discuss later). As a writer of ‘Fantastical Fiction’ (as it once used to called) the genre, as a whole, holds an obvious appeal to me, but more so the mysterious impulse that drives us to write and read it, and beyond that, the act of creation itself.

The central thesis I would like to forward here is that the roots of Fantasy go deeper than sometimes the genre suggest – that there is more to it than mere ‘Sword and Sorcery’, and the endless rehashing of Tolkienesque tropes. What if Fantasy is not merely a form of escapism (although that in itself is not ‘wrong’), but a way of exploring imaginative possibilities?

In the purest expression of Fantasy, something more fundamental is at work. Could Imagination serve as a gateway to other realms, other possibilities – a kind of ‘Quantum TV’ – with different bandwidths showing glimpses of ‘that which does not exist, but could’, and sometimes does, in our imagination?

Many beginner writers who attempt to write Fantasy do not seem to understand the genre. They copy the shadows on the cave wall; without having a full gnosis of what drives their creation (as someone who has taught and assessed creative writing since 2003 I can wearily attest to this – although I am occasionally astounded by what my students produce). There is often a gulf between idea and execution, which is frustrating. It feels as though I am receiving a poor signal from a distant land.

The craft provides the Transatlantic cable, but I do not wish to lay it down here – many others have done that. Rather than simply provide a list of techniques, I believe it would be more useful (and better for the writer) to explore the ‘biology’ of Fantasy, and our motives for writing it.

  • Where does the impulse to write Fantasy come from?
  • What takes place in the act of writing, i.e. the creative process – specifically in the creation of works of Fantasy?
  • What benefits are there, if any, for the writer, as well as the reader?

And so I begin this essay with these questions in mind – and a sense of unknowing.

A quester, armed with his question, is a good place to start.

 

Copyright (c) Kevan Manwaring, 2013

[Extract from Desiring Dragons: Fantasy and the Writer’s Quest, published by Compass Books – contact them and order an advance copy now]

This Fearful Tempest

His noble kinsman: most degenerate king!
But, lords, we hear this fearful tempest sing,
Yet seek no shelter to avoid the storm;
We see the wind sit sore upon our sails,
And yet we strike not, but securely perish.

The Tragedy of King Richard II

William Shakespeare

 

The terrible storms that have hammered Britain today are perhaps a physical manifestation of the Kali-esque tides of this time of year – as we lead up to Samhain, All Hallows and the Day of the Dead. These festivals of death (and, sometimes, rebirth) teach us to not only honour our dead, but also to let go of what we need to (our physical forms, our possessions, and materiality in general) – to practice the Art of Dying. It is a time to take stock, cull what no longer serves us (with compassion) and move, metaphorically, to our ‘winter pasture’. Wintering means cutting the wheat from the chaff, quitting fooling, and being prepared. It is also a delicious time of tending the hearth, warm gatherings, feasting, storytelling, and the inward spiral – as we turn our energies inwards in readiness for the deep dreaming of winter and the wisdom it will bring us – if we work with (rather than run away) from its winnowing tide.

This time last year I was preparing for the launch of ‘This Fearful Tempest’ – the last in my five-volume fantasy series, The Windsmith Elegy. I launched it at Samhain (Oct 31st, the Celtic Festival of the Ancestors) – this seemed appropriate as the bulk of the series is set in the ‘Afterlands’ and seeks to honour the Lost of History, as I call them – the arrested narratives of various figures from myth and history.  The day I launched it, there was a massive storm in America, and, a year on – Britain is hit by a similar one… So it seemed appropriate to share the tempestuous opening here…

This Fearful Tempest by Kevan Manwaring - front cover by Steve Hambidge

This Fearful Tempest by Kevan Manwaring – front cover by Steve Hambidge

Prologue

Through the torn skein of mist and shadow the ghostly threshold appears: a sheer wall of white rising from the furious sea. The grey waves break into light as they dash themselves against its fastness – jagged flanks of chalk. An x-ray of a land. The white cliffs loom closer and closer, filling the field of vision. A head-on collision threatens at any moment. A tide, irresistible, meeting an object, immovable. Then, from over the cliff’s edge trickles one red line. Deep red. A horse-tail of crimson. Then another pours. Another, like liquid bars. Until, the red tide breaks over the cliffs, obliterating the white. Cliffs of blood. And a scream that pierces the land in two.

Chapter One

Landfall

Go by God’s road to the Tower of Cronus
Where the Airs, daughters of Ocean
Blow round the Island of the Blest.

Pindar’s Odes, Pythean Odes, X, II

Kerne struggled to control Llyr as the winds howled around it. He could hardly see – the rain lashed into his face. Amelia was a blurry figure at the helm, bound to the wheel. The windsmith was exhausted beyond any limit he might have thought possible. He had been windsinging for hours, days now it seemed, sustaining their airship aloft by the power of his summoning. A combination of the east and south wind had served them well. The combined forces of Eurus and Notus had propelled them at high speed from the land beyond the south wind towards their destination, which now, presumably, stretched out below – Hyperborea, the Land beyond the North Wind. Albion. Britain, as it appears in the Afterlands of Shadow World.

One step removed from home.

So close, yet so far.

Although it was the wrong side of death Kerne could not help feeling an overwhelming sense of excitement, of relief, of homecoming, in every fibre of his being. He had circumnavigated Shadow World in his quest to master the secrets of the Four Winds and his goal was nearly in sight. If he could learn the mysteries of the North Wind, Boreas, he would have the keys he needed to get home: the windlass that would open the Angel Gates for him. That cursed enchantress, Aveldra, had brought him and Madoc here – alive in the land of the dead, until one of them had to die – but he would cross back by his own cunning art. His white shadow clung to him like a wet ghost, a smudge of chalk against the grey blur of mist.

‘We’re going home, my friend,’ Kerne communicated to his constant companion since Ashalantë, beneath the overtones of his windsinging. His other companion from that doomed city carried her own scars of guilt – stripped of her gramarye for breaking her priestess vow, Amelia had lost her own co-traveller, Noonan. Together they carried the burden of its destruction – the deserts of Hypernotus should have burnt it away, but had only served to increase the pain. A burning glass which had singed them to the quick.

His wind-dogs howled around him, as Llyr creaked and groaned in the maelstrom. She’s barely holding together, thought Kerne. A moth to a flame. It reminded him of his flight in the BE-2 across the battlefield of Mons with Madoc, that fateful morning – the dawn of the Great War. He had not expected to return home in such fashion, on a flying ship that resembled a giant mandolin, powered by his own gramarye. A windsmith of three winds.

Suddenly the airship snagged something and one of the wings snapped off. The craft span around, a stricken bird, and hit another cable suspended in the sky. This time a large bloated object came into sight – revealed momentarily amid the clashing dreadnoughts of clouds by a sigil of lightning – a giant balloon-like creature, its saggy folds of transparent skin half-inflated with luminescent gases swirling within. From it snaked swaying tendrils, barbed and deadly – crackling with a strange light.

And it wasn’t alone.

The sky was mined with them.

They had flown straight into this aerial shoal. If a better defense could have been devised to protect the skies of Hyperborea it would be hard to imagine. They had done their job. One whipcrack of a tendril and they were done.

Winged, their craft was going into a tailspin. They were flung about, screaming out for each other – hands straining in the maelstrom. There was a howling chaos all about them. Through the rags of cloud details of the land below began to appear. It looked like some kind of cove. Cliffs, suddenly white in the arc-light of the storm, loomed up.

Kerne strained with all his awen to soften the craft’s landing with a blast of air. It felt like giant hands caught the stricken vessel, but then drop it at the last minute as the ship smashed into the rocks.

The rain drummed against the broken fuselage, which lay twisted and jagged around them, a toy guitar smashed to pieces by a petulant child. Kerne had been thrown clear and awoke in a stunned heap, half embedded in a dune. He spat wet sand from his lips. His whole body ached. Sometimes he wished he was dead – to avoid the pain of being alive. With a cry of agony and rage he pulled himself from his bunker, and slowly got up, relieved to find his limbs working, although they protested with every movement as he staggered to his feet.

Swaying he looked around him, his head still spinning. Cliffs loomed up, running with water. Waves crashed in, cold and relentless. And the broken craft that had carried them around Shadow World lay in a smouldering heap – its splintered shell hissing with rain.

The first thought that came to him, more of an anguish cry of realisation, was: Amelia.

He stumbled towards the wreckage, slipping on the sand and shingle, and broken bits of craft. His heart drummed louder than the rain.

They had come so far…

Like a mad man Kerne scrambled about the detritus, heedless of his own safety. ‘Amelia!’ he cried out, voice ragged, drowned by the rain.

In his frantic search, his wind dogs scattered the looser wreckage hither and thither.

Suddenly he heard a muffled cry, the one human sound against the dead noise.

Kerne pulled away another part of the airship and was greeted by the sight he had not dared hope for – Amelia alive, protected by a wishbone of fallen masts.

‘Amelia, are you…?’

A cough, then a voice, faint against the squall. ‘I’m alright, I think. Shaken. I’m glad to see you! I feared you were dead!’

Kerne and Earhart embraced, overwhelmed with relief.

‘This bird is well and truly cracked.’

‘Come on, let’s get you out of there.’

Kerne gently helped Amelia up and, suddenly, she nearly collapsed. The aviatrix cried out in pain.

‘Sit here,’ Kerne commanded. He examined the ankle, gently moving it. ‘Can you feel your toes? Wriggle them. Good.’

‘Good!?’

‘They’re still moving. It looks like a bad sprain. We need to find some shelter.’ Kerne looked up at the cliffs, sheer and unscaleable from this angle. ‘There has to be some way up.’ He cast a glance at the angry waves. ‘We can’t stay here, the tide is coming in.’ He pursed his lips. Rest here a mo out of the rain, and I’ll salvage what I can … ‘ Kerne cast an eye over the crash-site and sighed. ‘Don’t worry, darling. We’ve been in worse scrapes and survived, haven’t we?’

Amelia nodded, smiling bravely.

The contents of Llyr were scattered and ruined. He looked in despair. Ollav Fola’s beautiful work, ruined. Yet it had served them well. Kerne set up scavenging what he could – and filled a pack with rations, water, blanket, a change of clothes. Then, just as he turned to go, he spotted his journal, which he gratefully snapped up and placed within the pack, wrapped in its waxy skin.

‘Not much, but it’ll do for now – we could maybe come back for more, once I’ve found us some shelter. Come on. I’ve found you a crutch.’

Kerne helped his companion up, who winced a little. With one arm over his shoulders supporting the majority of her weight, she was able to hobble, using the stick he’d found – a bit of the ship – as leverage.

‘What a pair we make,’ Amelia joked painfully. ‘Behold, Albion, your saviours are here!’

They laughed at this, blinking in the rain, as they slowly picked their way out of the wreckage.

‘Look, there’s a way up there. Some steps.’ Next to a rivulet which cascaded into the cove, they could make out some crude steps hewn into the rock. ‘Do you think you can manage it?’

‘This bird hasn’t given up yet, mister.’

‘Good. We’ll take it at your pace, okay – as you would say?’

‘A-OK.’ Amelia tried to give the thumbs up and failed, making them both laugh.

‘This reminds me of when I made landfall on my first solo Atlantic crossing. I was heading for England, ended up off the coast of Ireland. What strange accents you Brits have, I thought to myself! They probably thought the same. We couldn’t understand each other at first, as I called out to the watchers on the shore. I must have seemed like from another planet. But, boy, was I glad to see them! I was rowed ashore and given the best cup of tea of my life!’

‘Ah, a cup of tea,’ grunted Kerne, helping her up the steps, ‘now you’re talking.’

Up and up they ascended, in slow, painful movements, catching breath and girding loins between each push. At the top, breathless, they looked back at the broken craft below, now being licked by the greedy waves.

‘At least I’m in better shape than your old bird. I don’t think you’ll get her airborne again.’

Kerne glanced down. ‘Sometimes you have to shed your skin. Let go.’

‘Come on, Plato. We’ve got to get out of this infernal weather!’

The new arrivals struggled on upwards, over the lip of the cove, into the rain-darkened land.

 Extract from This Fearful Tempest by Kevan Manwaring Copyright 2013

www.windsmithelegy.com

On Thursday Awen Publications Celebrates its 10th Anniversary in Stroud with a showcase of some of its many talented authors –

Black Book Cafe, 7.15pm. Come and join us!