Creative Escapology in the Age of Austerity
by Kevan Manwaring
This article was written as a commission for the Doggerland journal – to make it more web-friendly, I will serialize it here in digestible extracts. It’s initial title was ‘Prepping for the Art-apocalypse: creative survival in the Age of Austerity’ but I decided that just fed into the current Neoliberalist, survival-of-the-fittest, paradigm and its predilection for ‘disaster-porn’. I want to offer a more positive approach, although the question I started it with still stands:
In an era of philistine-funding cuts in the arts, corporate-controlled channels of consumerism, and a fear-fuelled conservatism in commissioning and programming, what strategies are available to us to foster artistic survival?
Welcome to the Smeuse-House
The whole is made up of holes. We stitch together our rags and tatters and make something out of nothing. Slowly the picture emerges. Metonymically, to the arrhythmia of the new fin de siècle. Fragments are offered. And we make of them what we will, piecing together a narrative of (all)sorts. The future archivist looks back and sees the crumb-trail, the pioneering projects, the unseen visionaries, the coteries and communities, the salvage-culture sculptors, apocalypso bands, escape artists of an imploding neoliberalism. Those who have found the gap in the hedge and wriggled through. Houdinis of Bewilderland, the artists and poets who wander amongst the ruins of the failed project of civilisation and etch broken songs onto singed codices.
Copyright © Kevan Manwaring 2016
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This article was commissioned by Doggerland. An alternative version is available in print form in their latest issue, along with other thought-provoking contributions. Check it out. Available from: http://www.doggerland.info/doggershop
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