Web of Life 13 July
On Wednesday I took part in an inspiring event in Frome – the Web of Life Community Art Project, part of the Frome Festival. I travelled down with my fellow performers from Stroud and we navigated our way to the backstreets of the charming Wiltshire town to find the Sun Street Chapel – beautifully transformed by curator and eco-poet Helen Moore and her team of artists and volunteers. In each of the corners was an altar dedicated to four elements and themes based upon The Work That Reconnects of Joanna Macy. The centre piece was a purple coffin decorated with icons of extinct species. The previous Saturday an ‘artistic funeral‘ was held in the town – with a procession in masks up St Catherine’s Hill, which culminated in a service led by Charles in the chapel.
The majority of performers were part of ‘The Rolling Tyger Revue’ – a loose affiliation of poets, musicians and storytellers who take their inspiration from the life and work of the Bard of Lambeth, William Blake. Niall McDevitt introduced the evening with a triptych of Blake songs – accompanied by the ‘Flies’ or ‘Flyettes’ as his impromptu backing vocalists called themselves (John Gibbens and Amorel Weston, who performed later as The Children). Next, John impressed everyone by reciting a small set of poems from memory. Helen Moore followed with an impassioned performance, accompanied at times by her partner, Niall. Jay Ramsay finished off the first half with a similarly heartfelt performance, ably assisted by Herewood Gabriel on flute, djembe and ballaphon – hypnotic and haunting.
After the break I was on – and I decided to throw in a story for contrast – my Garden of Irem tale – a strategy that seemed to pay off. Then I performed my Breaking Light poem – as the focus of the evening (for me) was Awen’s eco-spiritual anthology, ‘Soul of the Earth’. Afterwards, I was able to relax with a glass of wine and listen to Niall’s set; followed by the ever-dazzling Rose Flint; and finishing off with a sublime set from The Children. It was an impressive line-up and the attention to detail in the exhibition was exquisite – the chapel felt re-sanctified, restored as a place of worship dedicated to Mother Earth and all her children.